WSG’s final seminar of the year focuses on “works in progress” papers, or with more of a “how to” element. These three by Valerie Schutte, Cheryl Duncan and Catriona Cooper look at life writing, the use of legal documents, and audio research.
Seminars take place at the Foundling Museum, 40 Brunswick Square, WC1N 1AZ, starting promptly at 1pm and finishing at 4pm. Doors open at 12.30. Directions for getting to the Museum can be found here. All seminars are free and open to the public, though refreshments will cost £2 to those who aren’t WSG members. Those attending the seminars are welcome to look round the museum before or after.
Sunday 11 March, 2018 (This is a ‘how-to’ session that also involves a measure of ‘work in progress’). Chair: TBC Valerie Schutte: Princess, Duchess, Queen: Mary Tudor as represented in the long eighteenth century. Cheryll Duncan: Music, women and the law: the challenges and rewards of legal documents. Catriona Cooper: Listening to the Commons: the sounds of debate and the experience of women in Parliament c.1800. Karen Lipsedge: Reading women and the eighteenth-century home.
WSG member Susan Civale‘s Romantic Novels 1817 seminar series continues this month with a discussion of Thomas Love Peacock’s Melincourt lead by Dr Freya Johnston (Oxford).
The session will take place on Friday, 10 March 2017, at 6pm, at the University of Greenwich, in Queen Anne Court (marked ‘2’ on the map), Room 063 (a slight change from the first session). The seminar is free and open to the public.
Melincourt, Peacock’s second novel, is a vibrant satire of opinion, with a wide gallery of characters and a sophisticated armoury of stylistic and comic tools at its disposal. Female novelists, female dialogue, and female education all feature prominently, while the greatest joke in this novel of talk is that the hero, a chivalric orang-outang who strides triumphantly across a scene of human degeneracy, cannot speak at all.
Freya Johnston is a fellow and lecturer in English at St Anne’s College, Oxford. She is general editor of The Cambridge Edition of the Novels of Thomas Love Peacock (2016-) and volume co-editor of his sixth novel, Crotchet Castle (2016).
A note on editions: Melincourt can be tricky to get hold of. There is a decent version of the whole novel available on google books.
The London & Southeast Romanticism Seminar, co-run by WSG member Susan Civale, is putting on a seminar series from January on “Romantic Novels 1817”. After March, the next seminar is on Thursday 18 May, with Jenny McAuley (QMUL) leading a discussion of William Godwin’s Mandeville. Please contact @reading1817 or email@example.com for further details.
The London & Southeast Romanticism Seminar, co-run by WSG member Susan Civale, is putting on a seminar series from January on “Romantic Novels 1817”. All seminars will be held at the University of Greenwich campus, starting at 6pm, and all will be free and open to the public. Please contact @reading1817 or firstname.lastname@example.org for further details.
Friday 27 January 2017, Gillian Dow (Southampton/Chawton House Library) Jane Austen, Northanger Abbey
Friday 10 March, Freya Johnston (Oxford)
Thomas Love Peacock, Melincourt
Thursday 18 May, Jenny McAuley (QMUL)
William Godwin, Mandeville
Friday 21 July, Thomas McLean (Otago) Jane Porter, The Pastor’s Fire-Side
Friday 22 September, Anthony Mandal (Cardiff) Ann Hatton, Gonzalo De Baldivia
Friday 17 November, Andrw Lincoln (QMUL)
Sir Walter Scott, Rob Roy
The first WSG seminar of the academic year will shortly take place at the Foundling Museum. Directions for getting to the Museum can be found here. Doors open after 12.30pm with the session starting promptly at 1, and tea, coffee and biscuits at about 2.30pm. Seminars are free and non-members who wish to attend are very welcome but will be asked to make a donation of £2 for refreshments. Attendees are also welcome to visit the Foundling before or after the seminar and there is currently a very interesting exhibition on Handel’s singers.
For the September session organiser Carolyn Williams has put together a programme on song, play, and translation… we hope to see you there.
Saturday 17th September, 2016. Chair: TBC Brianna Elyse Robertson-Kirkland: Venanzio Rauzzini (1746 – 1810) and his female operatic students. Judith Page: Austen and Shakespeare: Mansfield Park, Shylock, and the ‘exquisite acting’ of Edmund Kean. Lucy Gent: What is becoming in Mansfield Park? Jane Austen and Cicero’s De Officiis.
WSG has had a close association with the journal Women’s Writing since its early days. The Editor, Marie Mulvey-Roberts, was a member of WSG, and she encouraged other members to contribute papers given at our Saturday sessions or annual one-day workshop. In 2010 some of us co-edited a special issue in honour of Mary Waldron, an active committee member. Now current and former WSG members are contributors to a special issue in honour of Professor Janet Todd, the pioneering scholar of Aphra Behn, Mary Wollstonecraft and Jane Austen, and a Founding (now Consultant) Editor of WW. The celebration took the form of an interview by Marie of her distinguished colleague in an imposing hall at Mansfield College, Oxford. Ros Ballaster, co-editor of the issue and fellow WSG member, hosted the event which included a reception and a banquet dinner.
Marie questioned Janet about her life and her extensive travelling both as a child and during her academic career. Janet spoke of the patronising attitudes towards women when she was a student at Cambridge University, and women were confined to three female undergraduate colleges. She told of the impossibility of choosing Mary Wollstonecraft as a PhD subject, so she wrote instead on John Clare. The only feminist theory being studied when she began her career was that of the French feminists, Irigaray, Kristeva and Cixous. Todd bravely defended Anglo-American “socio-historical” feminist criticism and also challenged the jargon of New Historicism. A pioneer in the study of women writers, Todd founded a journal Women and Literature which can be considered a forerunner to Women’s Writing.
She described the pressure under which she published her Dictionary of British and American Women Writers 1660-1800, the immense and significant project she conceived and researched extensively by herself, and she spoke self-effacingly of the number of times she had read ‘erroneously mentioned by Janet Todd’ in references to the women covered in her Dictionary. In a question about role-models she described sharing a platform with Germaine Greer who towered above her in height and whose confidence she admired. Although female networks were an important part of her own research, and Marilyn Butler was a close friend, no network of women academics existed to provide support for Janet early in her career, particularly as she was working in the USA, Ghana, Bermuda and Puerto Rica. Finally, she spoke of her recent first venture at writing fiction, and of the lack of pressure to publish at the beginning of her career. Marie ended by reminding us of the impressive publication list of this inspiring academic, including the multi-volume editions of the works of Behn, Wollstonecraft and Austen.
Want to read more? The special issue of Women’s Writing is available here, with a subscription. Ros Ballaster tweets as @BallasterRos.