WSG member Helen Draper, with Dr Carol Jacobi of Tate, will be co-convening the session ‘In/visibility and influence: the impact of women artists and their work’ at the Association for Art History Annual Conference 2018.
The session’s themes are biography and reputation, legacy and longevity, and the artists include Artemisia Gentileschi, Elisabetta Sirani, Angelica
Kauffmann, Elizabeth Eleanor Siddal, Elizabeth Butler, Ethel Walker, Louise
Joplin, Isabel Rawsthorne, Frances Hodgkins (below), Vanessa Bell, Eva
Hesse, Lee Lozano, Anne Truitt, Anne Schille, Pauline Boty, Kristin Jones,
Paula Rego and Adriana Varejão, and Judy Chicago (filmed in conversation).
AAH 2018 takes places 5-7 April 2018 at the Courtauld Institute and King’s College London. For further information, including registration, please see the AAH website.
Last year the first Women, Money and Markets 1750-1850 conference was held at King’s College London. Co-organised by WSG member Emma Newport and Amy Murat, the conference was a great success (not least because it featured a WSG panel, ‘Material Girls’).
This year the second is co-organized by Joyce Goggin and Emma Newport and will take place at the University of Amsterdam, 7-8 June 2018. The call for papers ends on 15 March, so get your abstracts in quick.
The conference organisers welcome submissions in the form of individual papers, panels and roundtable discussions on the following themes:
- The varying practices of women associated with currency, global and/or domestic markets and marketability
- Material practices associated with value, exchange and/or female creativity
- Women as producers and/or consumers in the literary or other marketplaces (including, but not limited to, food, clothing, agriculture and raw materials)
- Representations of women at work or women’s involvement in: Trade and industry / Professional services (e.g. law, finance, hospitality and the media) / Domestic service / The rural economy / The stock market and speculation
- The place of women in the literary marketplace (past and present)
They particularly welcome cross-cultural considerations of the above issues.
Guide for submissions:
Please send 300 word abstracts to the conference email address (email@example.com) plus a covering email outlining briefly your proposed format (individual paper, panel, roundtable, etc.). If you are submitting a proposal for a panel, please include an abstract for each paper (up to 300 words each). Please indicate if you would like your paper to be considered for a monograph to be published in conjunction with the conference.
WSG member Miriam al Jamil is giving a talk at 2.30pm on 10 February for the Johnson Society, on ‘Artist and Artisan in the European Magazine (1782-1826)’. Miriam is a doctoral researcher at Birkbeck College, studying eighteenth-century women and the Classical Canon of sculpture. In her research she looks at how women engaged with sculpture during this period when art academy training was not available to them, and turns an alternative lens on the Grand Tour.
Further information about the talk, and the Johnson Society, can be found here. But please note: all Johnson Society meetings are held at Wesley’s Chapel and Leysian Mission, which is right next door to John Wesley’s House museum. The equally interesting Dr Johnson’s House museum is a 25 minute walk away.
The next in WSG’s 2017-18 seminars takes place this month, with three papers on women authors and love, politics, and art.
Seminars take place at the Foundling Museum, 40 Brunswick Square, WC1N 1AZ, starting promptly at 1pm and finishing at 4pm. Doors open at 12.30. Directions for getting to the Museum can be found here. All seminars are free and open to the public, though refreshments will cost £2 to those who aren’t WSG members. Those attending the seminars are welcome to look round the museum before or after.
Saturday 25 November, 2017. Chair: Lois Chaber
Eva-Maria Lauenstein: ‘Within these tombes enclos’d’: delineating Renaissance love in Mary Sidney Herbert’s Antonius.
Mihoko Suzuki: Political writing beyond borders: Charlotte Stanley and Margaret Cavendish.
Valerie G. Derbyshire: Words and pictures: Charlotte Smith (1749-1806) and the works of the artists of her day.
Forget about the title of this exhibition, because the idea behind it is actually great. Curated by Jacqueline Riding, the Foundling Museum, London has a new exhibition exploring attitudes to love, desire and female “respectability” in the Georgian period through the paintings of the artist Joseph Highmore (1692-1780). Highmore was a successful painter whose art underwent a profound change thanks to his involvement with the new Foundling Hospital in the 1740s. Highmore’s work with the Foundling and his new paintings started a debate about women’s vulnerability to sexual assault and the Foundling’s exhibition is the first major assessment of Highmore’s work for many years.
The exhibition runs until 7 Jan 2018, and there are several events around the exhibition that might be of interest to WSG blog readers. There is a talk on 21 October by Hallie Rubenhold on Georgian courtesans and prostitutes, and a symposium on 20 November, which will also feature a tour of the exhibition. For further information and to find out how to get to the Foundling, see its website.