WSG member Miriam al Jamil is giving a talk at 2.30pm on 10 February for the Johnson Society, on ‘Artist and Artisan in the European Magazine (1782-1826)’. Miriam is a doctoral researcher at Birkbeck College, studying eighteenth-century women and the Classical Canon of sculpture. In her research she looks at how women engaged with sculpture during this period when art academy training was not available to them, and turns an alternative lens on the Grand Tour.
Further information about the talk, and the Johnson Society, can be found here. But please note: all Johnson Society meetings are held at Wesley’s Chapel and Leysian Mission, which is right next door to John Wesley’s House museum. The equally interesting Dr Johnson’s House museum is a 25 minute walk away.
The Women’s Studies Group 1558-1837 is pleased to announce the speakers for their seminar series 2017-18. All seminars will take place at the Foundling Museum, 40 Brunswick Square, WC1N 1AZ, starting promptly at 1pm and finishing at 4pm. Doors open at 12.30. All seminars are free and open to the public, though refreshments will cost £2 to those who aren’t WSG members. Those attending the seminars are welcome to look round the museum afterwards.
Saturday 23 September, 2017. Chair: TBC
Charmian Mansell: Female servants in the early modern community: space, place and identity.
Christina Paine: Crises of celebrity: Angelica Catalani and her experience as a highly successful female immigrant singer in London, between 1806 and 1814.
Emma Clery: Jane Austen on money.
Saturday 25 November, 2017. Chair: TBC
Eva-Maria Lauenstein: ‘Within these tombes enclos’d’: delineating Renaissance love in Mary Sidney Herbert’s Antonius.
Mihoko Suzuki: Political writing beyond borders: Charlotte Stanley and Margaret Cavendish.
Valerie G. Derbyshire: Words and pictures: Charlotte Smith (1749-1806) and the works of the artists of her day.
Sunday 14 January, 2018. Chair: TBC
Maryann Feola: Aphra Behn and the shaping of an imagined Naples.
Karen Lipsedge: Reading women and the eighteenth-Ccntury home.
Sarah Burdett: From bloodthirsty Amazon to ‘Desp’rate Mother’: Sarah Yates’s re-invention of Queen Margaret of Anjou on the 1790s London stage.
Sunday March 11, 2018 (This is a ‘how-to’ session that also involves a measure of ‘work in progress’: the techniques under discussion are life writing, the use of legal documents, and audio research). Chair: TBC
Valerie Schutte: Princess, Duchess, Queen: Mary Tudor as represented in the long eighteenth century.
Cheryll Duncan: Music, women and the law: the challenges and rewards of legal documents.
Catriona Cooper: Listening to the Commons: the sounds of debate and the experience of women in Parliament c.1800.
For further information, see our seminars page, or contact the organiser Carolyn D. Williams. To join the WSG, see our membership page.
WSG’s next, “works in progress” seminar takes place in a fortnight, with papers on collecting, dance and epic poetry.
Seminars take place at the Foundling Museum, 40 Brunswick Square, WC1N 1AZ, starting promptly at 1pm and finishing at 4pm. Doors open at 12.30. Directions for getting to the Museum can be found here. All seminars are free and open to the public, though refreshments will cost £2 to those who aren’t WSG members. Those attending the seminars are welcome to look round the museum for free before or after.
Saturday 18th March, 2017 (works in progress). Chair: Gillian Williamson
Madeleine Pelling: “That Noble Possessor”: The Pursuit of Virtuous Knowledge and its Materials in the Collection of Margaret Cavendish Bentinck, Duchess of Portland (1715-1785).
Erica Buurman: Almack’s ballroom and the introduction of European dances.
Angela Escott: Hannah Cowley’s “dramatic talents” employed in her epic poem of the Napoleonic Wars, The Siege of Acre (1801)
WSG member Susan Civale‘s Romantic Novels 1817 seminar series continues this month with a discussion of Thomas Love Peacock’s Melincourt lead by Dr Freya Johnston (Oxford).
The session will take place on Friday, 10 March 2017, at 6pm, at the University of Greenwich, in Queen Anne Court (marked ‘2’ on the map), Room 063 (a slight change from the first session). The seminar is free and open to the public.
Melincourt, Peacock’s second novel, is a vibrant satire of opinion, with a wide gallery of characters and a sophisticated armoury of stylistic and comic tools at its disposal. Female novelists, female dialogue, and female education all feature prominently, while the greatest joke in this novel of talk is that the hero, a chivalric orang-outang who strides triumphantly across a scene of human degeneracy, cannot speak at all.
Freya Johnston is a fellow and lecturer in English at St Anne’s College, Oxford. She is general editor of The Cambridge Edition of the Novels of Thomas Love Peacock (2016-) and volume co-editor of his sixth novel, Crotchet Castle (2016).
A note on editions: Melincourt can be tricky to get hold of. There is a decent version of the whole novel available on google books.
The London & Southeast Romanticism Seminar, co-run by WSG member Susan Civale, is putting on a seminar series from January on “Romantic Novels 1817”. After March, the next seminar is on Thursday 18 May, with Jenny McAuley (QMUL) leading a discussion of William Godwin’s Mandeville. Please contact @reading1817 or email@example.com for further details.
The London & Southeast Romanticism Seminar, co-run by WSG member Susan Civale, is putting on a seminar series from January on “Romantic Novels 1817”. All seminars will be held at the University of Greenwich campus, starting at 6pm, and all will be free and open to the public. Please contact @reading1817 or firstname.lastname@example.org for further details.
Friday 27 January 2017, Gillian Dow (Southampton/Chawton House Library)
Jane Austen, Northanger Abbey
Friday 10 March, Freya Johnston (Oxford)
Thomas Love Peacock, Melincourt
Thursday 18 May, Jenny McAuley (QMUL)
William Godwin, Mandeville
Friday 21 July, Thomas McLean (Otago)
Jane Porter, The Pastor’s Fire-Side
Friday 22 September, Anthony Mandal (Cardiff)
Ann Hatton, Gonzalo De Baldivia
Friday 17 November, Andrw Lincoln (QMUL)
Sir Walter Scott, Rob Roy