A reminder that the special Women’s Studies Group 1558-1837 seminar takes place 8 December, when WSG launches its 30th anniversary collection, Exploring the Lives of Women 1558-1837 (Pen & Sword Books, 2018) at the Foundling Museum, London. Reserve your place now to hear a special set of papers, ‘Women’s and Gender Studies in 2018 and Beyond’, drink a glass of wine (or soft drink), and get a copy of the book.
Louise Duckling: Exploring the Lives of Women, 1558-1837: A Journey in Images
Bernadette Andrea: ‘English Daughters’ in Eighteenth-Century Morocco: Abjection and Assimilation in the Narratives of Thomas Pellow and Elizabeth Marsh
Felicity Roberts: The Academic Precariat: Writing Women’s History Now
Seminars take place at the Foundling Museum, 40 Brunswick Square, WC1N 1AZ, starting promptly at 1pm (doors open 12.30pm) and finishing at 4pm. The Foundling is a wheelchair accessible venue, and directions for getting to the Museum can be found here, including for those who are partially sighted. This seminar will be a parent and baby-friendly event.
Come and help the Women’s Studies Group 1558-1837 celebrate the launch of their 30th anniversary book, Exploring the Lives of Women! On 8 December at the Clore room in the Foundling Museum, London, WSG will be holding a one-off edition of one of their winter seminars, featuring a special set of 3 papers, ‘Women’s and Gender Studies in 2018 and Beyond’, followed by the book launch. Booking for this seminar is now open on eventbrite. Reserve your place to join us for three stimulating papers, a glass of bubbly or a soft drink and an opportunity to peruse the new book.* Hardback copies will be available for purchase on the day at the special pre-order price of £15.99 and editors and contributors will be there to sign or dedicate your copy. It would make an ideal Christmas present…
- Louise Duckling on ‘Exploring the Lives of Women, 1558-1837: A Journey in Images’
- Bernadette Andrea on ‘‘English Daughters’ in Eighteenth-Century Morocco: Abjection and Assimilation in the Narratives of Thomas Pellow and Elizabeth Marsh’
- Felicity Roberts on ‘The Academic Precariat: Writing Women’s History Now’
The Foundling Museum, 40 Brunswick Square, WC1N 1AZ, is a wheelchair accessible venue, and directions for getting to the Museum can be found here, including for those who are partially sighted. Seminars are free and open to the public, start promptly at 1pm and finish at 4, doors open at 12.30pm, and those attending the seminars are welcome to look round the museum before or after. This seminar is a parent and baby-friendly event.
*Once you have booked, no printed ticket is necessary to attend this event. Just turn up and give your name. If you are experiencing trouble booking, please email the WSG organisers on firstname.lastname@example.org.
*If you are intending to purchase a book, please also indicate to the organisers by emailing email@example.com. Please bring cash.
To order a copy online, see our publisher Pen & Sword’s page.
In 2016 the Women’s Studies Group 1558-1837 established its bursaries for PhD students, early career researchers or independent scholars who are members of the Group to support their research “in any aspect of women’s studies in the period 1558-1837”. This year we are pleased to be able to offer two awards again, the first of £500 and the second of £250. Awards may be made for new or continuing, single-discipline or interdisciplinary projects. Money will be paid on presentation of receipts and the winners will be expected to give a paper at a WSG seminar the following year, or, if based abroad, write a report for the WSG website.
For further information about the bursary, and to apply, please download the application form. The deadline for applications is November 30th 2018. Applicants will be notified of the outcome by January 2019. For further information on membership, see here.
In August WSG member and PhD student at Birkbeck College Miriam al Jamil went to the ‘premiere’ of Lady Mary Wroth’s Love’s Victory at Penshurst Place, Kent. She reviews it here:
Inspired by a WSG notice, I obtained a last-minute ticket for the first ever professional performance of Love’s Victory (MS transcription here) which was staged in the beautiful medieval Baron’s Hall at Penshurst Place in Kent. Penshurst was the home of Lady Mary Wroth (1587-1651/3) whose prose romance Urania and sonnets are better known than this pastoral tragi-comedy, written between 1617 and 1619. It exists in only two manuscript copies, an incomplete Huntingdon MS and a Penshurst version on which the performance was based. The project to revive the play has been funded by the Arts and Humanities Research Council as part of Lancaster University’s Shakespeare and his Sisters project which Professor Alison Findlay has been running for two years, and a film of the performance will shortly be posted on their website. It will be a valuable resource and interesting I am sure for many WSG members.
The gallery of the hall served as Venus’s heavenly domain, from which she and Cupid observe the entangled trysts of four pairs of lovers, echoing aspects of Shakespeare’s As You Like It. Venus demands that her power is respected and the complex web of the lovers’ desires and misunderstandings is formed and untangled through rhyming couplets, in song and music. The lovers devise word games and singing competitions to while away the time. Each represents aspects of love, its fickleness and calculation, vulnerability and yearning. The dilemma of an arranged marriage makes all true love secondary, an offence to Venus which results in the tragic death pact of the true lovers Musella and Philisses in her Temple. The Penshurst MS provides the denouement of the plot which is missing in the Huntingdon version. Musella’s mother is brought in and rebuked for making a forced marriage arrangement which has led to the death of her daughter. Her shame and grief convince Venus to reverse the tragic ending and restore the lovers to life again. So we all celebrate the joyful triumph of love. How could it be otherwise?
The language, arguments for love in all its aspects and guises framed in a pastoral setting was suitable entertainment for Wroth’s private audience in her country house. It reflects traditions of courtly masque entertainments and aristocratic participation. Professor Findlay suggests it may have brought Wroth together with her cousin William Herbert if they both performed in the play. Certainly Mary entered into a relationship with William after her husband died. The final scene lays the blame for miserable marriages squarely on the mother and it is tempting to read Mary’s personal story through the twists and turns of the plot. The performers gave energy and insight to their roles, and the evening was an encouraging contribution to the ongoing rediscoveries of women’s skill and creativity to which we all subscribe at WSG. Interested readers may want to order the forthcoming edition of Love’s Victory edited by Findlay and Michael Brennan once it is available on the Manchester University Press website.
We’re back! The first of WSG’s 2018-19 seminars takes place on Saturday 29th September, with four papers on women’s networks, fashion, animal poetry and sculpture in the eighteenth century.
Seminars take place at the Foundling Museum, 40 Brunswick Square, WC1N 1AZ, starting promptly at 1pm and finishing at 4pm. Doors open at 12.30. The Foundling is a wheelchair accessible venue, and directions for getting to the Museum can be found here, including those for the visually impaired. All seminars are free and open to the public, though refreshments will cost £2 to those who aren’t WSG members. Those attending the seminars are welcome to look round the museum before or after.
Saturday 29 September, 2018. Chair: Yvonne Noble & Louise Duckling
Madeleine Pelling: Negotiating the Portland Vase: Mary Hamilton, Sir William Hamilton and the Duchess of Portland (WSG Bursary 2017 paper)
Laura Pérez Hernández: Analyzing Female Identity through the Fashion Press: Differences and Similarities between Spain and England (1750-1800)
Taylin Nelson: ‘A Meager Cow’: The Duchess of Devonshire and Animality in Eighteenth-century Poetry
Miriam al Jamil: Eleanor Coade and the Back-room Venus
Pssst… the next seminar will be on Saturday 8 December, when WSG celebrates its 30th birthday with a book launch.