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WSG Bursary 2023 Now Open 

WSG is offering a bursary of £750 to an early career researcher*, independent scholar or PhD student who is a member of the WSG. The bursary is intended to support research in any aspect of women’s studies in the period 1558-1837 for new or continuing interdisciplinary or single-discipline projects.

The deadline for bursary applications is 30 November 2023, and the successful applicant will be announced in January 2024. For further information, and to apply, please download the application form here.

Applications are considered by the WSG committee. The money will normally be paid on presentation of receipts. The successful applicant will be expected to give a paper at a future WSG meeting in person or via Zoom. The contribution of the WSG bursary should be acknowledged in any resulting publications.

*Early career researcher is ‘an individual who is within eight years of the award of their PhD or within 6 years of their first academic appointment’ (AHRC).

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Previous Bursary Winners

  • 2023: Eleanor Bird, ‘Margaret Davy, sister-in-law of Humphrey Davy and collector of his works’ (Main Award); & Brianna Robertson-Kirkland , ‘Examining three Georgian opera singers: Elizabeth Billington, Anna Selina Storace and Gertrude Mara’ (Travel Award)
  • 2020: Anna Jamieson, ‘Spending and Shopping: Women’s Experience in the Eighteenth-Century Madhouse’ and Alexis Wolf, ‘Women Nurses and Inspectors of the Foundling Hospital, 1750-1830’ (Joint award with Foundling Museum)
  • 2019: Charlotte Young, ‘Women’s involvement in Canterbury sequestrations, 1643-50’; Hannah Jeans, ‘Women’s Reading Habits and Gendered Genres, c.1600-1700’
  • 2018: Madeleine Pelling, ‘The friendship of Horace Walpole and Mary Hamilton’; Rebecca Simpson, ‘Narratives of pregnancy’
  • 2017: Charmian Mansell, ‘A new history of female service in early modern England, 1550-1650

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Featured

Top Posts

Welcome to The Women’s Studies Group 1558-1837 website. Our blog includes information about upcoming events, call for papers, reviews and reflections. This pinned post will highlight top blog posts so it is easy to find information, such as event sign up. However, if you would like to find other previous posts from the blog, please use the search function or click on one of the categories found on the right-hand side of this page.

Recent blog posts

2022 Workshop Review

WSG Mentoring Scheme: The Mentee’s Experience by Amy Solomons

Book reviews

Worlds of Knowledge in Women’s Travel Writing. Edited by James Uden. Review by Valentina Aparicio

Lodgers, Landlords, and Landladies in Georgian London. By Gillian Williamson. Review by Sarah Murden

Domestic Space in Britain, 1750–1840: Materiality, Sociability and Emotion. Freya Gowrley. Review by Penelope Cave

Mary Shelley and Europe: Essays in Honour of Jean de Palacio. Edited by Antonella Braida. Review by Jacqueline Mulhallen

Seminar Review

Review: WSG Seminar, 26th March 2022 at The Foundling Museum by Miriam Al Jamil

They Run with Surprising Swiftness: The Women Athletes of Early Modern Britain. By Peter Radford. Review by Carolyn D. Williams

They Run with Surprising Swiftness: The Women Athletes of Early Modern Britain. By Peter Radford. Charlottesville and London: University of Virginia Press. 2023. Pp 296. £31.79 (paperback), ISBN 9780813947938.

Readers of Peter Radford’s previous work, including his chapter entitled ‘Better than the Men’ in Exploring the Lives of Women (2018), a collection of essays by members of the Women’s Studies Group 1558–1887, will expect great things from his latest publication. They will not be disappointed.

This fascinating and wide-ranging study of women’s past achievements in sports and athletics, as well as other forms of physical activity demanding various combinations of strength, skill, courage and endurance, incorporates a forceful defence of their ability and right to participate in these activities today. We are currently emerging from a period when women’s participation in sport was restricted on the grounds that strenuous exertion would threaten their capacity for motherhood or even their physical survival. Radford has unearthed evidence of ‘a kind of cultural amnesia’ (208) that seems to have been fostered by nineteenth-century masculine anxieties, obliterating awareness of traditional female sports. The chapter headed ‘Moral Meddling, Cant, and Sheer Humbug: 1825 Onward’ gives a painfully eloquent account of this turning point. As he shows elsewhere in his book, the participants were often subjected to various forms of misogynistic prejudice, but at least the existence of these events was acknowledged.

As in previous work, Radford counters this great forgetting. After producing evidence for women’s robustness in the Neolithic period, and their versatile athleticism in Ancient Greece, he provides detailed studies of events involving female runners, and occasionally walkers, concentrating on the period 1638–1850. A theme that should inspire interest in other feminist historians is the rise and fall of the smock race, and its connections with skimmington rides. He then discusses women’s involvement in football, cricket, prize-fighting (with swords and fists), equestrianism and tennis: women in the last two categories beat the best male professionals.

Some of the book’s findings cast new light on established disciplines. Analyses of the pictures of sporting activities included in the illustrations use information about eighteenth-century practices to distinguish the works of eye-witnesses from copies and products of the artists’ imagination. For example, familiarity with the structure and placement of wickets, knowledge of the rules of best-of-three races, and awareness of what running women actually look like provide tools for art historians seeking to establish the authenticity of sporting pictures. John Collett emerges as a reliable and well-informed creator of original images of female runners and cricketers, which were copied inaccurately by Thomas Rowlandson.

Frances Burney scholars should brace themselves for an outright denial that anything like the twenty-yard race between two enfeebled octagenarian women in Evelina (1778) was ever reported in the eighteenth century: Radford sees it as ‘a product of her fertile imagination’ (31), possibly sparked by a reference in Tobias Smollett’s The Adventures of Ferdinand, Count Fathom (1753) to two aristocratic gamblers running their grandmothers together, i.e. seeing which would live longer. In actuality, age presented fewer barriers to demonstrations of physical prowess: ninety-year-old Mary Wilkinson walked the 290 miles from York to London ‘in five days and three hours with “a keg of gin, and a quantity of provisions on her back”’ (125), while an eighteen-month-old girl ‘walked the length of the Mall (half a mile) in twenty-three minutes’ (90).

Precisely because this work is the result of carefully planned and scrupulously detailed research, it abounds in unexpected discoveries, sometimes appearing initially random: they are the rewards for the author’s determination to follow the evidence. Three examples must suffice. Firstly, everybody acquainted with early modern childbirth customs must have come across references to a ‘groaning cheese’, but how many know exactly what it was? Radford has unearthed a reference to a specimen weighing a hundred pounds that was the first prize for a race between ‘six heavily pregnant brewers’ wives’ who were to run a mile ‘to the top of Arthur’s Seat in Edinburgh’; he then cites ‘an old English tradition in which the father of a newborn baby brought a very large, flat, round cheese for the baby’s christening’: slices would be cut from the centre, and the baby passed through the resulting hole ‘for luck’ (56). Secondly, the importance of accurate time-keeping, especially when wagers were involved, have led the author, after thorough investigation, to conclude that ‘watches were high-status, finely-crafted objects in the eighteenth century, and they recorded time very accurately; cheap and unreliable watches were still sometime in the future’ (118). More directly relevant to the book’s subject, but even more startling, is the discovery that ‘the first example of a football match played on grass, with teams of a fixed number, and played for the benefit and amusement of a crowd’ (179) was a six-a-side women’s event that took place on a bowling green in Bath, probably arranged by Beau Nash, in 1726.

There are a few minor errors in expression and presentation. In the transcription of the motto of the Amateur Athletic Assocation, taken from lines 95 and 96 of Pindar’s 9th Olympian Ode, ποδῶν and ἀκμαί have been run together when they should have space between them, and ideally […] to indicate the omission of an intervening word (115). In the useful appendix, explaining the technicalities of distance measurement, currency and gambling in early modern Britain, the author apparently makes a slip when describing the kind of wager known as a match against time: ‘In the example above, a timekeeper would stand at the finishing line and call “Time” precisely one hour after the start’ (245). Unfortunately, the hypothetical example requires the contestants to run ‘one mile (e.g. from the tavern door to the church door)’ (245) which seems far too short a distance for the time allowed, especially when we reflect that ‘a fifteen-year-old girl from Wrotham ran it in 5 minutes 28 seconds on Saturday July 11, 1795, a record unbeaten in Britain until 20 August 1932’ (119). Perhaps the chosen course should be taken into consideration: how long would the contestants stay in the tavern before they reached its door?

As well as applying extensive and meticulous scholarship to his study of human physical activity in general and sport in particular, the author deploys the practical experience acquired during an athletic career that earned him a world record, two Commonwealth gold medals and two Olympic bronze medals. He can flesh out the briefest account of an event with considerations of how it would have been organized and publicised, how the expenses would be covered, how many heats were involved, or the conditions in which it took place: for example, in 1822, when girls ran races ‘on a wet Wednesday in August’ on Gander Down, to the east of Winchester, ‘it must have been difficult for them on the wet grass, though these were chalk downs and would have drained quickly’ (205).

Professor Radford has yet more to say about the history of women’s physical achievements: on Saturday, October 7, 2023, at the opening seminar of the Women’s Studies Group 2023–24 season, at London’s Foundling Museum, he will present a paper entitled ‘Strong Women in Early Modern Europe: A Counter Narrative’. To readers of this book, this is very good news.

Carolyn D. Williams

Summer Book Launch Event

Please join us for a special online Zoom event on Thursday 27 July, when we will be celebrating four new books by WSG members. Each author will be giving a short, informal talk about their work, followed by a Q&A session.

This event is free and open to everyone. Why not come along for some summer reading inspiration?

Reserve your place now on Eventbrite: Summer Book Launch Event – Online Tickets, Thu 27 Jul 2023 at 19:00 | Eventbrite

COME AND MEET OUR GUEST AUTHORS:

Charmian Kenner is a researcher and writer on women’s history, with a special interest in Latin America. She will discuss her free eBook Revolutionary Partners: Sarah Andrews and British campaigners for Latin American independence.

Revolutionary Partners asks: How did a young woman from Yorkshire meet a Venezuelan revolutionary in the year 1800? This is the story of Sarah Andrews and Francisco de Miranda, whose London home served as a British headquarters for the struggle to liberate Latin America from Spanish rule. Their sons Leander and Francisco took up the cause, joining many Britons who crossed the Atlantic to fight alongside Simón Bolívar or witness the dawn of a new society. All were partners in the revolution, but their contribution is little-known in Britain today, and Sarah Andrews has remained in the shadows.

Peter Radford is an Olympic medallist and world record holder, and Professor at the University of Glasgow and Brunel University. He will discuss his new monograph They Run with Surprising Swiftness: The Women Athletes of Early Modern Britain.

Sports have never been the sole preserve of men; women athletes have always been there. As this book shows, throughout the seventeenth and eighteenth centuries in Britain, women of all ages ran, fought, rode, played football, cricket, tennis, and other sports. They competed in tough, head-to-head events that required extraordinary endurance and skill. They Run with Surprising Swiftness recognizes these remarkable athletes and their achievements and aims to restore them to their rightful place in the long history of women in sport.

Sara Read is a Senior Lecturer in English at Loughborough University. Her research is in the cultural representations of women, bodies and health in the early modern era.

Her second novel The Midwife’s Truth is a sequel to The Gossips’ Choice and continues the story of midwife Lucie Smith. The birth stories, which form the backdrop to the novels, are inspired by the case notes of a Bristol midwife published in 1737. The books mix humour, compassion, and sorrow, and have been scrupulously researched.

Kim Sherwood is an award-winning author and creative writing lecturer at the University of Edinburgh. Her latest novel, A Wild and True Relation (2023), was described by Dame Hilary Mantel as “a rarity – a novel as remarkable for the vigour of the storytelling as for its literary ambition. Kim Sherwood is a writer of capacity, potency and sophistication.”

The novel opens during the Great Storm of 1703, as smuggler Tom West confronts his lover Grace for betraying him to the Revenue. Leaving Grace’s cottage in flames, he takes her orphaned daughter on board ship disguised as a boy to join his crew. But Molly, or Orlando as she must call herself, will grow up to outshine all the men of his company and seek revenge – and a legacy – all of her own.

How the WSG supported my research

A reflection by Charmian Kenner

I have just published my book Revolutionary Partners: Sarah Andrews and British Campaigners for Latin American Independence, and as an independent researcher I have found the Women’s Studies Group to be a vital source of support.

I discovered Sarah Andrews, the main subject of my research, in a painting at the Venezuelan Cultural Centre in London. The picture is a contemporary re-imagining of a scene taking place in the early 1800s. Simón Bolívar, the future Liberator of Venezuela, Bolivia, Colombia, Ecuador, Peru, and Panama from the Spanish, is being received by fellow revolutionary Francisco de Miranda at the latter’s London home. My attention was caught by the depiction of a young woman in the corner of the painting, reading a book with two young children next to her.

This young woman turned out to be Sarah Andrews, the British partner of Francisco de Miranda. Intrigued, I began to investigate her story and found that Sarah ran the household, which served as a London headquarters for supporters of Latin American independence. My starting point was a treasure trove of Sarah’s letters to Miranda while he was away fighting in Venezuela from 1805-1807 while she held the fort back home.

I had been a feminist historian 35 years earlier and many other things in between. Now retired, with no institutional affiliation, I needed a way to exchange ideas with like-minded people. The ideal would be a group centered on women’s history, so I searched online and was excited to find the WSG close to me in London, with seminars accessible to all.

Attending my first seminar, I was welcomed and immediately treated as an equal. Everyone I spoke to was interested in my topic and eager to help, suggesting references and recommending lines of enquiry. I was relieved to find that many in the group were independent researchers and had been able to publish their work.

The seminars were a constant source of wonder, revealing so much about centuries of women’s history. Ideas about my own research were stimulated as contributors interacted with the audience and drew out threads of commonality between the presentations. Questions and comments were always infused with a spirit of positivity. 

Some topics were of direct relevance to my research. A paper by Valentina Aparicio drew attention to Maria Graham’s journal of her stay in newly-independent Chile in 1822, which became an important source for my study. Together with documentation I had already gathered on Mary English and Kitty Cochrane, who accompanied British partners fighting alongside Simón Bolívar, this widened my focus beyond Sarah Andrews’ story. My book now includes the experiences of other British women supporters of Latin American independence.

Like everyone in the WSG, I was invited to submit a paper for the seminars. This was an opportunity to focus my thinking and develop my analysis. The response from the audience was heartening. They were keen to discover more about Sarah Andrews and her social and political context, encouraging me to continue with the research and to publish.

Feedback at the seminar provided me with key ideas from wide-ranging scholarly knowledge amongst the WSG. For example, several group members highlighted the significance of Sarah Andrews’ father being a shoemaker. This could explain how Sarah encountered revolutionary ideas in the Yorkshire market town where she was born since shoemakers’ shops were a well-documented centre for radical discussion.

Further help was forthcoming after the seminar. Louise Duckling sent suggestions for publishers, whilst Gillian Williamson shared information she found in Old Bailey records concerning a burglary at Sarah Andrews’ home in 1840. The court evidence revealed Sarah’s living arrangements and those sharing her house at this point, a period for which little other data was available.

This support validated my topic and spurred me on. I soon began to write, and at a recent WSG seminar I was happy to say that I was about to publish my book with free access online. WSG members received this announcement with the same pleasure and interest they had shown throughout my research journey. It felt like coming full circle. 

The final hurdle was to convert my Word document into the format required for an e-book. Images and captions kept repositioning themselves, and I couldn’t find anyone who knew how to solve the problem. Once again, WSG came to the rescue. I put out a call for help on the email list, and Louise Duckling quickly responded with suggestions for people experienced in formatting. The first person I contacted sent an immediate reply and not only sorted out my pictures but also improved the book’s overall design. I was ready to publish! Revolutionary Partners: Sarah Andrews and British Campaigners for Latin American Independence can be accessed free here.

Thank you, WSG!

Charmian Kenner

Charmian Kenner started life as a feminist historian in the 1970s. After many other incarnations she returned to her original occupation, having discovered the existence of Sarah Andrews, the partner of Venezuelan revolutionary Francisco de Miranda in London in the early 1800s. Sarah’s intriguing story was waiting to be told, and the result is the recently published book Revolutionary Partners: Sarah Andrews and British Campaigners for Latin American Independence, available free on Kobo.

The Tudors: Art and Majesty in Renaissance England

An exhibition review by Valerie Schutte

The Tudors: Art and Majesty in Renaissance England is a dynamic exhibition of Tudor artifacts currently touring the United States. On 14 May 2023, it wrapped up the second leg of its tour at the Cleveland Museum of Art, which was preceded by three months at the Metropolitan Museum of Art, New York, from 10 October 2022 to 8 January 2023, to be followed by three months at the Legion of Honor, San Francisco, from 24 June to 24 September 2023.

The accompanying exhibition catalogue is filled with full-page color images of every item, though not all are on display at all three museums. It also includes entries for items not on display at any of the exhibition stops because some of the loans were cut by the time the exhibition opened in October 2022, being delayed from its original autumn 2020 opening date.

As I saw the exhibition twice in Cleveland, I was unable to see many of the items related to Queen Mary I that were not displayed at this venue. These items included Hans Eworth’s 1554 portrait of her, as well as the cartoons for the panels donated by Philip and Mary for the Last Supper “King’s Window” at Sint-Janskerk, Gouda, though they are both beautifully represented in the catalogue. As a scholar of Mary I, I also have minor objections to the descriptions of some of the entries. For example, item number 27 is a 1557 copy of Juan Luis Vives’ Instruction of a Christen Woman on loan from the British Library. The catalogue description was written by Sarah Bochicchio, a PhD Candidate in art history at Yale University. While Bochicchio points out that Vives was a spiritual advisor to Catherine of Aragon and a director of Mary’s studies, she also writes that the text informed Mary and Elizabeth as inheritors of a gendered hierarchy of leadership. Furthermore, on the object label at the exhibition, Catherine of Aragon is not even mentioned, while the description highlights how both Mary and Elizabeth navigated a gendered duality during their queenships. While this is accurate, I am frustrated that such a powerful monument to Catherine and Mary must be discussed in terms of its importance to Elizabeth, thus fortifying the public perception of Elizabeth being a more important or worthy Tudor queen.

However, the more than 80 items on display in Cleveland showcased visual art as a formidable tool of monarchical power, from paintings and drawings to cups and bowls, and suits of armor to giant hanging tapestries. Various museums and private collections across Europe and the United States contributed displayed items. The Devonshire Collection at Hardwick Hall lent the “Sea Dog” table, a drawing table so called because of the sea dogs carved into its walnut legs, the Victoria and Albert Museum lent the Heneage Jewel, and the Kunsthistorisches Museum of Vienna lent Hans Holbein’s painting of Jane Seymour, while the newly-crowned King Charles III lent a miniature of Henry VIII and drawings by Holbein from the Royal Collection. These are only a few of the museums and collectors who participated in fielding these artifacts.

While some of the displayed items are well known, such as the painting of Henry VIII from the workshop of Hans Holbein and both the Sieve and Rainbow portraits of Elizabeth, many are lessor known artifacts that still portrayed the magnificence of the Tudor court. These include the ewer and basin engraved with portrait medallions of the monarchs on loan by the Boston Museum of Fine Arts and the embroidered portrait of Elizabeth I in a garden loaned from a private collection. 

Altogether the exhibition overwhelms its viewers with images of majesty, power, and Renaissance ideas of humanism and antique glory. The Tudors: Art and Majesty in Renaissance England is not to be missed, as this variety of Tudor objects and artifacts is not likely to be showcased in the United States again anytime soon.

Valerie Schutte is a historian who specialises in books dedicated to Tudor queens. She has published two monographs and her seventh edited collection will be published later this year – Mid-Tudor Queenship and Memory: The Making and Re-Making of Lady Jane Grey and Mary I. She is editing a special issue of the Royal Studies Journal to be published in December 2023 on Tudor royal sexualities. Schutte is currently writing a cultural biography of Anne of Cleves and is working on several essays on Queen Mary I.