The Women’s Studies Group 1558-1837 is pleased to announce the speakers for their seminar series 2019-20. All seminars will take place at the Foundling Museum, 40 Brunswick Square, WC1N 1AZ, starting promptly at 1pm and finishing at 4pm. Doors open at 12.30. All seminars are free and open to the public, though refreshments will cost £2 to those who aren’t WSG members. The Foundling is a wheelchair accessible venue, and directions for getting to the Museum can be found here, including for those who are partially sighted. Those attending the seminars are welcome to look round the museum afterwards.
Saturday 21 September, 2019. Chairs Gillian Williamson and Carolyn D. Williams Charmian Kenner: Sarah Andrews: furthering the cause of Latin American independence in early 19th century London Sonia Villegas López: Female libertinism in Gabriel de Brémond’s transnational oriental fictions Rebecca Simpson: Scandal and the Maternal Imagination in Eighteenth-Century Britain: The Confessions of Mary Toft [WSG Bursary awardee, 2018] Alison Daniell: Of False Hair, Bolstered Hips and Witchcraft: The Regulation of Women’s Bodies and an Act of Parliament that Never Was
Saturday 23 November, 2019. Chairs Miriam al Jamil and Felicity Roberts Masuda Qureshi: Celestial Revolutions: Hester Pulter and the circular skies. Natasha Simonova: ‘Semiramis does not stand still’: Amabel Polwarth and Amateur Authorship John Beddoes: Anna, Emmeline and Maria Edgeworth, Three Sisters of the Enlightenment: “I do not wish to be the cause of one of your tight laced faces.” Francesca Saggini: Below and Beyond. On Re-reading Burney’s Biographies
Saturday 18 January, 2020. Chairs Angela Escott and Miriam al Jamil Charlotte Young: Women’s involvement in Canterbury sequestrations, 1643-1650 [WSG Bursary winner, 2019] Carol Stewart: Penelope Aubin’s The Noble Slaves and the Politics of Opposition Anne Stott: Princess Charlotte of Wales: gender and the “reversionary interest” Katherine Woodhouse: “Madam Smith says, what shou’d the Captain do with such a wife as me who can only sit with a book in her hand” Anna Jamieson: Madness Exhibited: The Margaret Nicholson Scandal
Saturday 21 March, 2020. Chairs Carolyn D. Williams and Angela Escott Lindy Moore: The Scottish Schoolmistress in the Eighteenth Century Alexis Wolf: Women and Mentoring in the Late Eighteenth Century: Mary Wollstonecraft, Margaret King and Mary Shelley Rachel Eckersley: Female benefactors to dissenting academies in England Catriona Wilson: “Some attention to those female members”: Feminised monarchy in the first exhibition of Kensington Palace’s State Apartments, 1899
For further information including abstracts, see our seminars page, or contact the organiser Carolyn D. Williams. To join the WSG, see our membership page.
Many thanks to WSG member Miriam Al Jamil for writing this fascinating report.
Hidden gems and women collectors
Uncovering hidden gems in plain sight became the theme of this year’s visit to the small Gibson Library in Saffron Walden with its range of quirky and unexpected holdings, and to Audley End House at the opposite end of the scale with its fascinating collections where the curator revealed unacknowledged female contributions both to the objects on display and to those largely kept in storage. WSG member Gillian Williamson efficiently organised our full and thought-provoking day which was well-attended and enjoyed by all. This was a first for the group as it ventured further afield than the metropolis to explore resources which were new to most of us. These provided the focus of a pleasurable and sociable occasion in the picturesque Essex market town and the country estate nearby as well as inspiration for potential scholarly engagement in the future.
The Gibson Library https://www.townlib.org.uk/society.html is housed above the main town library in two main rooms. The reading room is a quiet and pleasant space, surrounded by the elegant bookcases donated by its founding benefactor, the Quaker George Stacey Gibson. His name replaced the earlier one of Library of the Saffron Walden Literary and Scientific Institution, founded in 1832. The library was part of the nineteenth-century momentum to provide educational opportunities for both scholars and working people and continues to work with nearby universities and on projects to encourage readers from the area, schoolchildren and subscribers to visit. Gibson’s interest in botanical, herbal and horticultural books is reflected in the early donations to the library, and the scientific, historical and archaeological interests of the old Literary and Scientific Institution are clear in other parts of the collection. We explored a display of books from the shelves. These included Martin Luther’s copy of Josephus, complete with his own marginalia; local shopkeepers’ day books of 1765 and 1814; commonplace and scrapbooks, such as those related to The Great Exhibition; grangerised copies of Granger’s A Biographical History of England, and of Boswell’s The Life of Samuel Johnson; a sumptuous edition of Dr. Goldsmith’s illustrated The Roman History volumes; various early biographical publications such as an edition of Mary Anne Clarke’s Authentic Memoirs and Anecdotes and Last Moments and Death of Her Majesty Queen Caroline (3rd edition, 1821), as well as a rare 1800 original of James Penn’s potboiler The Farmer’s Daughter of Essex, or the Life of Miss Davis. Almanacs and guides to art and book history, as well as the complete set of The Gentleman’s Magazine and Eminent Women series find space in the surprising tardis-like space of the library.
Image taken by the author. English Heritage collection
It was hard to leave the enticing profusion of bibliophilic treats but we moved on to lunch and a tour of Audley End House https://www.english-heritage.org.uk/visit/places/audley-end-house-and-gardens/ which culminated in curator Dr. Peter Moore’s presentation from the archives there. Audley End began as an Abbey which was granted to Sir Thomas Audley (c.1487-1544) after its dissolution. The house is substantially Jacobean, although around one half was demolished in the early eighteenth century and the interiors remodelled in the second half of the same century, so that we see a glorious fusion of architectural styles, mainly Georgian but including later nineteenth-century redesigns. The painting collection was largely made by Sir John Griffin Griffin, 4th Baron Howard de Walden (1719-1797). His additions to the house and work on the landscaped park were ambitious, anticipating a visit from George III which never materialised. Sir John’s heir was his nephew, Richard Aldworth Neville, 2nd Baron Braybrooke ((1750-1825), whose Grand Tour is explored in a small exhibition at the house until October 2019. For a review by WSG bursary winner, Madeleine Pelling: https://www.bsecs.org.uk/criticks-reviews/souvenirs-of-italy-an-english-family-abroad/.
Image taken by the author. On loan to English Heritage from a private collection’
For the purposes of our visit, the curator had thought about female agency in the collections displayed in the house. The recent renovations and displays on the second floor make features of family life and the nursery which Lady Jane Cornwallis (1798-1856), wife of the 3rd Lord Braybrooke, redesigned to make a suite of comfortable rooms for her eight children to whom she was devoted. This clearly feminine domain is however, only part of the story. There are 16,500 objects on display at Audley End and the majority are presented in the context of patriarchal lineage and masculine networks of connoisseurship and influence, particularly through the ‘standard narrative’ of the 4th Lord Braybrooke’s (1820-1861) prolific natural history, geological and archaeological collecting, activities and writing. However, as the curator suggested, the influence of the women of the family has been consistently overlooked. Lady Jane’s travel diaries for 1836-46 show her interest, comments and observations which contributed to the family’s collections. The labels on rock samples are in her hand along with her description of the ‘curious Dropping Well’ ,(https://thejournalofantiquities.com/2013/03/20/the-dropping-well-knaresborough-north-yorkshire/, and petrified bird’s nest from Mother Shipton’s cave, labelled ‘1838 Knaresborough’. She was personally as much involved in shaping the collection as her husband though the objects are now seen solely as his initiative.
Image taken by the author. On loan to English Heritage from a private collection
Jane inherited sheet music annotated by her aunt, Lady Mary Singleton. This and other personal objects were part of her and her children’s domestic life. We all loved other items of female skill, such as the boy’s small red coat and the exquisitely sewn child’s dress in coral silk and lace, both of which are carefully preserved and rarely shown in public. A set of small watercolours, painted on ready-made card mounts were probably made by Jane’s daughters, Mirabel Jane (1821-1900) or Louisa Anne (1822-89), both of whom were talented artists but as with so much feminine production they did not leave a signature. But other objects such as paintings from family homes which were part of Jane’s Cornwallis family inheritance are hidden as such among the displays in the house and have no connection with Audley End. When an inventory was made in 1946 by the Ministry of Works after the house was acquired for the nation, much of the history of the family through marriage was lost. Female inheritance and provenance was absorbed into the default male story attached to the house.
At last, there is more awareness and progress in uncovering and reinterpreting the history of the collections at Audley End, the families who lived there and particularly the female line which has so sadly been forgotten. This new approach would surely benefit so many of the grand houses we can visit and ultimately recover so many lost histories. Aristocratic women are clearly subject to the same phenomenon of disappearance from the historical narrative which besets minor female figures in history and frustrates research into their lives. Our day’s visit uncovered a wealth of hidden texts and some exquisite material culture which was so rich and evocative. Our thanks are to Gillian Williamson and to Martyn Everett, chair of the Gibson Library Society who gave us an introduction, and to Audley End curator Dr. Peter Moore for such an excellent day.
Many thanks to WSG member Emma Clery who organised this fascinating day and invited our group; the following report is by Charmian Kenner, one of a number of WSG members who attended.
A celebration of Mary Wollstonecraft (1759-1797) held on 27 April 2019, the 260th anniversary of her birth, invited us to consider her ‘in the round’ by discussing her life, work and legacy through research in history, literary criticism, politics and philosophy; and by experiencing representations of Wollstonecraft through art, film and drama. We met in the atmospheric Old St Pancras Church in London, with participants sitting on either side of the aisle that Wollstonecraft walked down to marry William Godwin, and with a lunchtime visit to the original site of her grave in the churchyard. Participants came from around the UK and as far afield as Japan and the US.
A theme throughout the event was how Wollstonecraft’s thinking prefigured and fed into ideas and struggles of today. Hannah Dawson focused on Wollstonecraft’s central concern with freedom, or rather women’s lack of it, since economic dependence on men meant vulnerability and loss of self, leaving women obsessed with beauty as their only asset to hold the male gaze – a condition from which we have yet to entirely escape. Wollstonecraft’s argument that women were playing a part assigned to them by society, rather than this being their authentic nature, links directly with today’s views on gender as a construct we can change. Catherine Packham pointed to connections between Wollstonecraft’s critique of modernity, in particular the late eighteenth-century social and economic order, and analyses by current theorists such as Thomas Piketty. Laura Kirkley highlighted Wollstonecraft’s cosmopolitan outlook, seeing humans as globally interdependent with shared moral obligations, exemplified in her support for Native Americans and her criticisms of empire.
A rousing discussion of ‘What would Mary do?’ with Shrabani Basu, Charlotte Gordon and Bee Rowlatt, imagined multiple possibilities for a contemporary Wollstonecraft, from having a strong social media presence to speaking out on modern slavery and refugee issues, to being a campaigning member of the academy. The latter position was impossible to achieve in her lifetime, and Andrew McInnes reminded us of the tensions in being a ‘philosophesse’ in the late eighteenth century, when women thinkers were both celebrated and stigmatised, though Wollstonecraft tried to take a gender neutral position and establish herself as a philosopher first and foremost. Isabelle Bour pointed out that Wollstonecraft’s reception was different in France at the time, where her life was not seen as scandalous, and she was appreciated as an intellectual in the mode of Germaine de Staël. Translations of Wollstonecraft’s work were popular with moderate Girondin revolutionaries and her ideas became part of progressive French thought.
Janet Todd and Lyndall Gordon, whose studies led the way in research on Wollstonecraft, both contributed to the day. Lyndall Gordon, looking for missing pieces in the jigsaw of Wollstonecraft’s life, shared her latest investigations into Mary’s stay in Hamburg, where she seems to have discovered a fraud that shook her faith in lover Gilbert Imlay. Janet Todd relished the burgeoning interest in Wollstonecraft studies, compared to the 1960s when her proposed PhD on Wollstonecraft was deemed ‘too obscure’. She also warned us against making Wollstonecraft, who characteristically was ‘always prickly’ and swam against the mainstream, into a ‘national treasure’. Speakers and audience at the conference agreed that Wollstonecraft sustains us today with her resilience in the face of life’s challenges, both personal and political.
A number of organisations carry on Wollstonecraft’s legacy. The Mary Wollstonecraft Fellowship celebrates her writing with talks and events; the Mary Wollstonecraft Philosophical Society disseminates her work and that of other women philosophers of the period, including through university curricula; the Wollstonecraft Society promotes education in schools; Mary on the Green fundraises to place a statue of Wollstonecraft by Maggie Hambling on Newington Green; and New Unity has a Heritage Lottery funded project at Newington Green Meeting House, ‘Uncovering the Dissenters’ Legacy at the Birthplace of Feminism’.
Louise Ducklingreflects on the collegial traditions of WSG and, in particular, its history of collaborative publication, which cumulated in the launch of the group’s latest book last year.
My first encounter with the Women’s Studies Group was in 1996. I had just begun (rather ambitiously) a part-time PhD at the University of Essex while working full-time as a media analyst. My PhD supervisor was Elaine Jordan, a passionate proponent of feminism and gender studies in literature. She was also a great believer in the importance of creativity, scholarly networks and the simple pleasure of loving what you do. Unsurprisingly—given their common values—Elaine introduced me to WSG by sharing the 1996–97 seminar programme (featuring Marilyn Butler and Jacqueline Labbe as speakers) and subsequently keeping me up to date with group events. I was finally able to become an active WSG member, following a career change, in January 2001.
One of the earliest seminars that I attended was in June 2001 and the speaker was WSG committee member Mary Waldron. The paper was auspiciously entitled “A Very Different Kind of Patronage: Ann Yearsley’s New Friends”; within a year, Mary had become a new friend and a special kind of patron to me. As a Visiting Fellow at the University of Essex, Mary wanted to be of practical use in the department and so, in 2002, I acquired an additional informal supervisor. I gained enormously—as did so many of us at WSG—from her incisive comments and breadth of knowledge.
Mary’s support encapsulated the generosity of the group and its community spirit. By May 2003, when I was invited to join the organising committee, I naturally welcomed the opportunity to give back something in return. During my time on the committee (2003–2017) there were some exciting changes within the group. In 2003, WSG hosted the first of its popular workshops (with keynote speaker Helen King talking on “The Reproductive Cycle: Menstruation, Pregnancy, Childbirth and Lactation”) and the seminar programme was relaunched (with fewer sessions featuring multiple speakers). For my own part, I really enjoyed sharing some of the skills gleaned from my professional life in marketing, working on publicity for the group and establishing an online presence.
Over its thirty year history, the WSG has continually evolved; however, its core commitment has always been to support and promote the work of its members and this fact is evident in the group’s history of collaborative publication. Our edited essay collections, in book and journal form, provide a permanent record of the group’s activities and showcase our members’ research. In each volume, the majority of articles were first given as papers at WSG events, augmented with contributions by other group members responding to our internal calls for papers.
The first publication was a special issue of Women’s Writing (Volume 8, 2001 – Issue 2, introduced by Carol Banks and Anne Kelley). This project evolved from WSG’s 1998 Day School on “The Body and Women” and featured a wide range of topics, ranging from Elaine Hobby on midwifery to Myra Cottingham on Felicia Hemans’s “dead and dying bodies”. When Mary Waldron died, in 2006, Carolyn D. Williams was the energetic catalyst for two further publications that were inspired by and dedicated to Mary. The first of these emerged from the 2008 workshop and was another special issue of Women’s Writing, this time celebrating “edgy” women (Volume 17, 2010 – Issue 1: Women Out Loud, with managing editors Vicki Joule, Daniel Grey and Sarah Oliver). It included some fabulous characters, including two articles (by Kerri Andrews and Claire Knowles) on the subject of Mary’s research, the labouring-class ‘milkmaid poet’ Ann Yearsley. The second festschrift for Mary was Woman to Woman: Female Negotiations During the Long Eighteenth Century (University of Delaware Press, 2010), which I had the great pleasure of co-editing with Carolyn D. Williams and Angela Escott. Fittingly, for a work by WSG dedicated to Mary Waldron, the book’s theme was female collaboration. The essays were grouped into three core themes—family alliances, friends and companions, adventurous women—and included contributions from Jennie Batchelor and Judith Hawley.
We enjoyed two memorable launch events for our 2010 publications, with Ron Waldron (Mary’s husband) attending as guest of honour. The Women’s Writing special issue was launched at a champagne reception in June 2010 at Lucy Cavendish College in Cambridge, hosted by the journal’s co-founders Janet Todd and Marie Mulvey Roberts to coincide with their “Celebrating Women’s Writing” conference. It was wonderful that so many WSG members were able to attend, given the long association between the group and the journal. In October 2010 Lois Chaber hosted another splendid gathering for WSG members at her London home to mark the publication of Woman to Woman.
By a fortunate stroke of serendipity, the ideas for these publishing ventures were conceived around the time of WSG’s tenth and twentieth birthdays. However, in 2016—with our thirtieth anniversary approaching—Sara Read proposed a deliberate strategy: to officially celebrate this important milestone in print. The result was our latest book, Exploring the Lives of Women, 1558–1837 (Pen & Sword History, 2018), a rich collection of essays sourced from WSG members and edited by myself, Sara Read, Felicity Roberts and Carolyn D. Williams.
As Carolyn notes, ‘the thirtieth year has a particularly organic appeal, because it measures a generation’ (Introduction, Exploring, p.xix). As a celebration of the group’s ability to survive and thrive over its thirty-year existence, the editorial objective of the book was to reflect the essential qualities of WSG and the many and varied interests of our members. Unlike our previous publications, which focused on a single theme, it therefore provides an expansive, wide-ranging view of women from all walks of life—featuring opera singers and mine workers, queens and prostitutes—within an accessible and affordable volume.
On December 8, 2018, Exploring the Lives of Womenwas formally launched at WSG’s thirtieth anniversary seminar at The Foundling Museum, London. This was a convivial and inclusive occasion, with attendees aged from 8 months to 80 years old and guests travelling from as far afield as the US. The one great sadness was that one of our authors, long-term member Marion Durnin, died very shortly before the event. The seminar was a timely opportunity to remember and celebrate Marion’s significant contribution to WSG and to the book (which includes her last published work) in the company of her husband Kevin and son Owen.
While the launch provided an opportunity to reflect upon and commemorate the group’s history and achievements over a generation, the key theme of the event was “Women’s and Gender Studies in 2018 and Beyond”. This focus reflects WSG’s forward-thinking philosophy, equally evident in the decision to use all proceeds from sales of the book to fund the group’s popular bursary scheme, thereby supporting future research in the field.
I was privileged to open the event with anillustrated talk,describing how the editorial team sourced the public domain images included in the book’s generous plate section, before using these images to describe and celebrate each author’s contribution. The next paper was delivered by our guest speaker Professor Bernadette Andrea(University of California, SantaBarbara). An expert on English women and Islam in early modern English literature, Bernadette introduced us to a unique narrative: Elizabeth Marsh’s The Female Captive(1769), the first full-length account of Maghrebian captivity written by an Englishwoman. Bernadette provided close readings from the text to illustrate Marsh’s “sartorial negotiations” which delicately balance her abjection as a female English captive with her apparent assimilation to Moroccan gender norms. The final speaker, Felicity Roberts, provided a stimulating and thought-provoking talk on the issue of precarity in academia, considering issues relating to gender and marginalisation, alongside a personal and polemical view on the practical ways in which WSG could provide enhanced support to its members in the future.
One of the emerging trends within the group has been its desire to embrace the creativity of our members, demonstrated perfectly by WSG’s very first creative seminar scheduled for August 2019. This tendency is also reflected in Exploring the Lives of Women, which features two poems: ‘Gretchen’s Answer’ by Tabitha Kenlon and ‘Stilts’ by author and performer Jacqueline Mulhallen. At our thirtieth anniversary event, Jacqueline entertained us all with a recital of ‘Stilts’: this was recorded by William Alderson and we are delighted to be able to share a video of the performance.
To conclude the event, it was fitting that the final words should be reserved for the personal reminiscences of long-term supporter Lois Chaber, who gave an honest and entertaining account of her life within the group and its evolution, and WSG founder member Yvonne Noble. Yvonne Noble wonderfully described how and why the WSG was founded as a support network, and urged us all to continue to work together to support the group and reach out to those who may benefit from its collegial spirit.
When I was urged to join WSG, almost twenty years ago, I expected to find friendship and community. Yet professionally and intellectually it has exceeded my expectations. As an independent scholar, WSG has given me an unrivalled opportunity to publish my own work, collaborate with others and benefit from the significant skills, knowledge and experience of my co-editors. WSG will continue to flourish in the coming decade and I am certain there will be plenty to celebrate in its fortieth year–and perhaps there will even be another book?
All Things Georgian: Tales from the Long Eighteenth-Century. By Joanne Major and Sarah Murden. Barnsley: Pen & Sword. 2019. Pp 170. £25.00 (hardback), ISBN 9781526744616; £8.32 (ebook), ISBN 9781526744630.
All Things Georgian: Tales from the Long Eighteenth Centurytakes its name from Joanna Major and Sarah Murden’s highly successful blog. The volume provides readers with an array of short narratives concerning life in Georgian England between 1714-1830 that are designed to illuminate the complexity – and at times, tragedy and hilarity – of Georgian life. Major and Murden have a track record as co-authors having published three full-length biographies of lesser-known Georgian women with Pen & Sword in recent years. This volume presents twenty-five new tales to the reader, recounted with the same genuine scholarly excitement and skills for storytelling that readers have come to expect from this partnership. From actresses plucked from the streets of London and thrust into the spotlight of The Beggar’s Opera, to the first flight of air balloons and the discoveries of female astronomer Caroline Herschel, this volume brings together some of the most intriguing stories of the Georgian period in one illuminating compendium. It is worth noting that as well as being a highly readable, enjoyable volume of short stories, it is clear that this book has been extensively researched. A glance down the ‘Notes and Sources’ pages gives the reader a sense of how familiar the writers must be with the inside of a Record Office.
Georgian women are certainly the stars of this volume, and it is refreshing to see so many tales with female protagonists from different ranks and social stations within the collection. What emerges from these stories is that a woman’s ability to succeed in this period was not always determined by their rank or by their ability to read and write, but instead owe a lot to skill, cunning, and a degree of luck. Intriguing accounts like that of Anne Rochford who rose from a nursery maid to gain royal favour as a coffee shop owner in the Royal Mews with a high-class of clientele despite being born illegitimate and made an orphan early in her childhood, exemplify this point. Readers interested in this theme will find the fate of sisters Sally and Maria Wallen particularly intriguing. Despite being sisters, these women entered into markedly different vocations: whilst ‘Crazy Sally’ became a famed female bonesetter at Epsom, her sister Maria Wallen found success playing Polly Peachum in The Beggar’s Opera. Curiously for both women, the pinnacle of their success came during single life, indeed, both suffered disastrous marriages that lead to their respective downfalls. Maria ultimately ended up at the Old Bailey addressing charges of bigamy and was replaced by a younger actress, whilst Sally was abandoned by her husband who took her life savings with him, eventually being buried in a pauper’s grave. Of course such tales are tinged with sadness, but this volume is at its best when it is exploring the fortunes and fates of women like Anne, Sally, and Maria – women born into the lower echelons of society, forced to navigate their way through the complexities of Georgian public sphere and the harsh realities of life without the benefit of wealth or social security. By including these tales, the authors provide a much-needed insight into the Georgian period as a time of social change in which fortune, station, and marriage was not always a prerequisite for individual success.
Despite the well-selected range and scope of subjects in the twenty-five tales, there is one significant omission: the marked absence of minority groups in these tales. For example there were thousands of black servants and enslaved people in Britain in the 1770s and yet, the only clues one finds in this book to their existence is in some of the portraits and cartoon illustrations included alongside the main tales. Recent scholarship in this field has made significant strides in accounting for these and other minority groups in the Georgian period, indeed, one can even find evidence of Major and Murden’s telling stories about individuals from a minority background in their blog. Given the considerable work that has clearly gone into representing different facets of Georgian life and the populace of England, it is a shame, then, to find minorities largely omitted. The inclusion of accounts to this effect would have helped to represent the diversity of England’s populace during this period, and been a great asset to the reader grappling with the intricacies of Georgian Society.
On this note, though, additional praise should be given that in the production of this volume the authors have worked hard to source and include various pertinent illustrations – over 100, in fact – to accompany the main text. The visuals provided throughout help add texture to the tales, whilst demonstrating the distinctiveness of this period. Indeed, Major and Murden have created a well-structured and well-researched book that makes for highly pleasurable reading. The volume will appeal to both those familiar with this era, who are bound to find something new and intriguing amongst this rich collection, and more broadly, those interested in social-cultural history and women’s studies.
KATHERINE WOODHOUSE Loughborough University
*Disclosure: Sarah Murden is a member of the Women’s Studies Group 1558-1837.