Reminder: WSG November seminar 2016

WSG’s second seminar of the academic year takes place in a little over a week at the Foundling Museum, 40 Brunswick Square, WC1N 1AZ, starting promptly at 1pm and finishing at 4pm.  Doors open at 12.30. Directions for getting to the Museum can be found here.  All seminars are free and open to the public, though refreshments will cost £2 to those who aren’t WSG members.  Those attending the seminars are welcome to look round the museum afterwards.

For the November session organiser Carolyn Williams has put together talks on texts, images and objects and the strong emotions they provoke…

Saturday 19th November, 2016. Chair: TBC
Valerie SchutteCelebrating the 500th Birthday of Queen Mary I in Manuscript Images.
Emma NewportInterplay and Interpretation: Lady Banks’s “Dairy Book” and the collection and collation of Chinese Porcelain.
Chrisy Dennis“We were born to grace society: but not to be its slaves”: Chivalry and Revolution in Mary Robinson’s Hubert de Sevrac, A Romance of the Eighteenth Century (1796).

Valerie Schutte: 500th anniversary of Mary I

Sarah Duncan and Valerie Schutte (eds), front cover, Birth of a Queen (Palgrave Macmillan, 2016)
Sarah Duncan and Valerie Schutte (eds), front cover, Birth of a Queen (Palgrave Macmillan, 2016)

Independent historian and WSG member Valerie Schutte and her co-author Sarah Duncan have edited a new collection of essays on Queen Mary I for the 500th anniversary of her birth in 1516.  Entitled The Birth of a Queen, the collection reflects on Mary’s life, tumultuous reign, death and “cultural afterlife”.

Valerie has spoken at previous WSG seminars and her book Mary I and the Art of Book Dedications was also published by Palgrave in its Queenship and Power series earlier this year.  She’ll be talking about aspects of her work in the next WSG seminar, at the Foundling Museum on 19th November 2016, along with Emma Newport on Sarah Sophia Banks and Chrisy Dennis on Mary Robinson.

Felicity Roberts: Mary Delany and her collages

Front cover of Materializing Gender (Routledge, 2016)A new book edited by Jennifer Germann and Heidi Strobel, Materializing Gender in Eighteenth-Century Europe, has recently been published by Routledge.  The collection was actually seen through the press by Ashgate USA’s Margaret Michniewicz, until Ashgate’s acquisition by Routledge.  Margaret is now pursuing new projects as Bloomsbury’s Visual Arts/Art History Acquisitions Editor, and she tweets as @BburyViaAshg8.  Expect some exciting announcements from her account soon.

Materializing Gender includes essays on the needle artist Mary Linwood (see her fantastic portrait of Napoleon at the V&A here), and almanacs, mantillas, guns and silver, amongst objects, as well as WSG member Felicity Roberts’ chapter on the eighteenth-century gentlewoman Mary Delany whose hybrid scientific and art practices included diary- and letter-writing, botanising, shellwork, collaging, needlework, and the writing of a novella.  Felicity explores how Delany’s class and gender shaped her serious botanical interests, and how she expressed and shaped this complex subject position through her famous flower collages and novella.  Felicity hopes to follow up her interest in Mary Delany with a wider study of women, natural history and material culture in the long eighteenth century soon.  Beginning with Charlotte Smith’s ‘Beachy Head‘… what do readers think? What other ‘hybrid’ literary, art and scientific works are there in this period?