Reminder: WSG September seminar 2016

The first WSG seminar of the academic year will shortly take place at the Foundling Museum.  Directions for getting to the Museum can be found here.  Doors open after 12.30pm with the session starting promptly at 1, and tea, coffee and biscuits at about 2.30pm.  Seminars are free and non-members who wish to attend are very welcome but will be asked to make a donation of £2 for refreshments.  Attendees are also welcome to visit the Foundling before or after the seminar and there is currently a very interesting exhibition on Handel’s singers.

For the September session organiser Carolyn Williams has put together a programme on song, play, and translation… we hope to see you there.

Saturday 17th September, 2016. Chair: TBC
Brianna Elyse Robertson-KirklandVenanzio Rauzzini (1746 – 1810) and his female operatic students.
Judith PageAusten and Shakespeare: Mansfield Park, Shylock, and the ‘exquisite acting’ of Edmund Kean.
Lucy Gent: What is becoming in Mansfield Park? Jane Austen and Cicero’s De Officiis.

Reminder: WSG September Seminar 2015

The first WSG seminar of the new academic year will take place in just over a week’s time.  This will be the first in WSG’s new home, the Foundling Museum.  Directions for getting to the Museum can be found here.  Doors open after 12.30pm with the session starting promptly at 1, and tea, coffee and biscuits at about 2.30pm.  Non-WSG members who wish to attend the seminar are welcome to come but will be asked to make a donation for refreshments.

For the September session seminars organiser Carolyn Williams has serendipitously gathered together a number of papers with musical and collecting themes, which chimes well with the Foundling’s own history.  The Museum was founded to tell the story of the Foundling Hospital, the first charity for children in Britain.  One of its first major supporters was the composer George Frideric Handel, and today the Museum holds an important archive related to his life and works, and holds a regular music programme.

Saturday 26th September 2015, 1-4pm, Foundling Museum
Chair: Angela Escott

Diana Ambache, ‘Women composers of the late 18th century’
This paper presents two Enlightenment composers. Sophia Dussek (1775-1830) was part of the lively musical scene in London. Marianne Martinez (1744-1812) wrote the 1st classical Symphony by a woman.

Paula Higgins, ‘Suppressing the Suppression of Fanny Hensel: Textual Ellipsis and Other Signs of Biographical Censorship’
A tell-tale sign of the longstanding gender politics in which Fanny Hensel (1805-1847) and her quest for musical authorship have become enmeshed are repeated attempts on the part of biographers to shield her brother, Felix Mendelssohn from accusations of thwarting his sister’s ambitions.

Elizabeth Weinfield, ‘Isabella d’Este: Patronage, Performance, and the Viola da Gamba’
This paper will explore Isabella d’Este (1474-1539) and her role as a major patron of music in Renaissance Italy.

Arlene Leis, ‘Sarah Sophia Banks as a Collector’
This talk will focus on the rich paper collections amassed by Sarah Sophia Banks (1744-1818), now housed in the British Museum and British Library.

WSG seminars 2015-2016 announced

Anonymous, trade card, paper, c1760, collected by Sarah Sophia Banks.  BM D,2.3603.
Anonymous, trade card, paper, c1760, collected by Sarah Sophia Banks. British Museum D,2.3603. © The Trustees of the British Museum

The Women’s Studies Group 1558-1837 is pleased to announce its seminar schedule for the forthcoming academic year.  Seminars will take place at the Foundling Museum, London, WC1N 1AZ, and start promptly at 1pm, finishing at about 4.  Tea and biscuits are provided.  Why not arrive early and see the Foundling’s current exhibition, or hear a gallery talk?

This year seminars organiser Dr Carolyn Williams has drawn together papers with musical themes, as well as on collecting, natural philosophy, literature, politics, and book history from across WSG’s 16th- to early 19th-century range.  Dates and speakers are as follows:

Saturday 26th  September, 2015, 1-4pm, Foundling Museum
Diana Ambache, ‘Women composers of the late 18th century’
Professor Paula Higgins, ‘Suppressing the Suppression of Fanny Hensel: Textual Ellipsis and Other Signs of Biographical Censorship’
Dr Arlene Leis, ‘Sarah Sophia Banks as a Collector’

NB Diana Ambache will have CDs of the composers profiled on sale, from £6 to £14.

Saturday 28th November, 2015, 1-4pm, Foundling Museum
Associate Professor Tita Chico, ‘Knowledge Seduction’
Dr Andrew McInnes, ‘Resistant Readers in Sarah Fielding’s The Governess’
Chrisy Dennis, ‘“We were born to grace society: but not to be its slaves”: Chivalry and Revolution in Mary Robinson’s Hubert de Sevrac, A Romance of the Eighteenth Century (1796)’

Saturday January 30, 2016, 1-4pm, Foundling Museum
Valerie Schutte, ‘Pre-accession Printed Book Dedications to Mary and Elizabeth Tudor’ (see a publication of Valerie’s here)
Brianna Elyse Robertson-Kirkland, ‘Venanzio Rauzzini (1746 – 1810) and his female operatic students’
Sarah Oliver, ‘From Rape to Desire: Mary Hays’s Revision of the Love Theme and Jane Austen’s “New” Heroines’ (see a publication of Sarah’s here)

For more information, and brief abstracts of the papers, see our current seminars page, like WSG’s facebook page, or follow @WSGUK.