Reminder: WSG seminar November 2019

The second seminar of the year takes place on Saturday 23 November, with papers on early modern science, authorship and overlooked lives.

Seminars take place at the Foundling Museum, 40 Brunswick Square, WC1N 1AZ, starting promptly at 1pm and finishing at 4pm.  Doors open at 12.30.  The Foundling is a wheelchair accessible venue, and directions for getting to the Museum can be found here, including those for the visually impaired.  All seminars are free and open to the public, though refreshments will cost £2 to those who aren’t WSG members.  Those attending the seminars are welcome to look round the museum before or after.

Saturday 23 November, 2019. Chairs Miriam al Jamil and Felicity Roberts
Masuda Qureshi: Celestial Revolutions: Hester Pulter and the circular skies.
Natasha Simonova: ‘Semiramis does not stand still’: Amabel Polwarth and Amateur Authorship
John Beddoes: Anna, Emmeline and Maria Edgeworth, Three Sisters of the Enlightenment: “I do not wish to be the cause of one of your tight laced faces.”
Francesca Saggini: Below and Beyond. On Re-reading Burney’s Biographies

For further information including abstracts, see our seminars page.  To join the WSG, see our membership page.

A Celebration of Mary Wollstonecraft

Many thanks to WSG member Emma Clery who organised this fascinating day and invited our group; the following report is by Charmian Kenner, one of a number of WSG members who attended.

A celebration of Mary Wollstonecraft (1759-1797) held on 27 April 2019, the 260th anniversary of her birth, invited us to consider her ‘in the round’ by discussing her life, work and legacy through research in history, literary criticism, politics and philosophy; and by experiencing representations of Wollstonecraft through art, film and drama. We met in the atmospheric Old St Pancras Church in London, with participants sitting on either side of the aisle that Wollstonecraft walked down to marry William Godwin, and with a lunchtime visit to the original site of her grave in the churchyard. Participants came from around the UK and as far afield as Japan and the US.

A theme throughout the event was how Wollstonecraft’s thinking prefigured and fed into ideas and struggles of today. Hannah Dawson focused on Wollstonecraft’s central concern with freedom, or rather women’s lack of it, since economic dependence on men meant vulnerability and loss of self, leaving women obsessed with beauty as their only asset to hold the male gaze – a condition from which we have yet to entirely escape. Wollstonecraft’s argument that women were playing a part assigned to them by society, rather than this being their authentic nature, links directly with today’s views on gender as a construct we can change. Catherine Packham pointed to connections between Wollstonecraft’s critique of modernity, in particular the late eighteenth-century social and economic order, and analyses by current theorists such as Thomas Piketty. Laura Kirkley highlighted Wollstonecraft’s cosmopolitan outlook, seeing humans as globally interdependent with shared moral obligations, exemplified in her support for Native Americans and her criticisms of empire.

A rousing discussion of ‘What would Mary do?’ with Shrabani Basu, Charlotte Gordon and Bee Rowlatt, imagined multiple possibilities for a contemporary Wollstonecraft, from having a strong social media presence to speaking out on modern slavery and refugee issues, to being a campaigning member of the academy. The latter position was impossible to achieve in her lifetime, and Andrew McInnes reminded us of the tensions in being a ‘philosophesse’ in the late eighteenth century, when women thinkers were both celebrated and stigmatised, though Wollstonecraft tried to take a gender neutral position and establish herself as a philosopher first and foremost. Isabelle Bour pointed out that Wollstonecraft’s reception was different in France at the time, where her life was not seen as scandalous, and she was appreciated as an intellectual in the mode of Germaine de Staël. Translations of Wollstonecraft’s work were popular with moderate Girondin revolutionaries and her ideas became part of progressive French thought.

Janet Todd and Lyndall Gordon, whose studies led the way in research on Wollstonecraft, both contributed to the day. Lyndall Gordon, looking for missing pieces in the jigsaw of Wollstonecraft’s life, shared her latest investigations into Mary’s stay in Hamburg, where she seems to have discovered a fraud that shook her faith in lover Gilbert Imlay. Janet Todd relished the burgeoning interest in Wollstonecraft studies, compared to the 1960s when her proposed PhD on Wollstonecraft was deemed ‘too obscure’. She also warned us against making Wollstonecraft, who characteristically was ‘always prickly’ and swam against the mainstream, into a ‘national treasure’. Speakers and audience at the conference agreed that Wollstonecraft sustains us today with her resilience in the face of life’s challenges, both personal and political.

A number of organisations carry on Wollstonecraft’s legacy. The Mary Wollstonecraft Fellowship celebrates her writing with talks and events; the Mary Wollstonecraft Philosophical Society disseminates her work and that of other women philosophers of the period, including through university curricula; the Wollstonecraft Society promotes education in schools; Mary on the Green fundraises to place a statue of Wollstonecraft by Maggie Hambling on Newington Green; and New Unity has a Heritage Lottery funded project at Newington Green Meeting House, ‘Uncovering the Dissenters’ Legacy at the Birthplace of Feminism’.

WSG seminars 2015-2016 announced

Anonymous, trade card, paper, c1760, collected by Sarah Sophia Banks.  BM D,2.3603.
Anonymous, trade card, paper, c1760, collected by Sarah Sophia Banks. British Museum D,2.3603. © The Trustees of the British Museum

The Women’s Studies Group 1558-1837 is pleased to announce its seminar schedule for the forthcoming academic year.  Seminars will take place at the Foundling Museum, London, WC1N 1AZ, and start promptly at 1pm, finishing at about 4.  Tea and biscuits are provided.  Why not arrive early and see the Foundling’s current exhibition, or hear a gallery talk?

This year seminars organiser Dr Carolyn Williams has drawn together papers with musical themes, as well as on collecting, natural philosophy, literature, politics, and book history from across WSG’s 16th- to early 19th-century range.  Dates and speakers are as follows:

Saturday 26th  September, 2015, 1-4pm, Foundling Museum
Diana Ambache, ‘Women composers of the late 18th century’
Professor Paula Higgins, ‘Suppressing the Suppression of Fanny Hensel: Textual Ellipsis and Other Signs of Biographical Censorship’
Dr Arlene Leis, ‘Sarah Sophia Banks as a Collector’

NB Diana Ambache will have CDs of the composers profiled on sale, from £6 to £14.

Saturday 28th November, 2015, 1-4pm, Foundling Museum
Associate Professor Tita Chico, ‘Knowledge Seduction’
Dr Andrew McInnes, ‘Resistant Readers in Sarah Fielding’s The Governess’
Chrisy Dennis, ‘“We were born to grace society: but not to be its slaves”: Chivalry and Revolution in Mary Robinson’s Hubert de Sevrac, A Romance of the Eighteenth Century (1796)’

Saturday January 30, 2016, 1-4pm, Foundling Museum
Valerie Schutte, ‘Pre-accession Printed Book Dedications to Mary and Elizabeth Tudor’ (see a publication of Valerie’s here)
Brianna Elyse Robertson-Kirkland, ‘Venanzio Rauzzini (1746 – 1810) and his female operatic students’
Sarah Oliver, ‘From Rape to Desire: Mary Hays’s Revision of the Love Theme and Jane Austen’s “New” Heroines’ (see a publication of Sarah’s here)

For more information, and brief abstracts of the papers, see our current seminars page, like WSG’s facebook page, or follow @WSGUK.