Review of WSG Seminar: 20th February 2020

Despite the recent cold weather, the atmosphere at the Women’s Studies Group February seminar was as warm and welcoming as ever. We were treated to three very different, but equally fascinating papers, the individual chronologies of which stretched from the mid-seventeenth century to the 1820s and covered subjects as diverse as death and dying, legal and textual subjectivities and observations of nineteenth-century Chilean culture. At the heart of each, though, lay careful analyses of how women in the past constructed themselves and the world around them through the written word. The seminar was conducted via zoom and ably chaired by Trudie Messent.

First to speak was Dr Sarah Ailwood of the University of Wollongong. Sarah lectures in law and has previously authored a book on Jane Austen and masculinities. Her talk for the WSG, however, was entitled ‘In justice to myself’: Legal and Textual Subjectivities in Eighteenth-Century Women’s Memoirs’. Sarah’s central thesis was that by ‘harnessing emerging genres of popular, published life writing’, namely the print memoir, ‘women forged a new form of legal subjectivity.’ She began by outlining the theory developed by Costas Douzinas that those living within a modern liberal democracy will be typically both subjectus and subjectum in relation to the law: that is, simultaneously under the authority of the law and a participant in its creation. In contrast to this, women of the eighteenth century were only subjectus, bound to obey the law without participating in its creation. Sarah also cited the work of Peter Goodrich – that the power of the law rests in its cultural influence, as well as institutions and legal texts. From this theoretical starting point, Sarah explored the idea that the female-authored mid-eighteenth-century legal memoir allowed women to ‘create a new, resistant form of legal subjectivity’ and evidenced this through the work of two eighteenth-century women: Sarah Rippon and Anne Bailey. Rippon published The True State of the Case of Sarah Rippon in 1756 and used the subjectus persona of a poor, vulnerable widow to challenge both the legal system and the men who conspired against her, showcasing her knowledge of the system and her abilities as a litigant as she did so. Bailey constructed a similar subjectus persona through her 1771 text The Memoirs of Mrs Anne Bailey. In this she positioned herself as a victim caught in a cycle of debt, assault and exploitation even though the true purpose of the book was to publicly shame the men who had wronged her. Sarah argued that although both women ostensibly cast themselves as oppressed victims of the legal system, their memoirs speak to their authors’ resistance of that role and their determination to assert agency over the narrative of their life.

The second speaker was Daisy Winter, a PhD student at Northumbria University. She examined the writings of Lady Elizabeth Delaval within the context of seventeenth-century women’s devotional meditations. This was a time when women were expected to examine and reflect upon their behaviours, not least to use written texts to curate a ‘good death’ for themselves when the time came. However, Daisy argued that the motivations for Delaval’s musings were complex and may not have stemmed solely from a fear of judgement in death. Two meditations were considered in detail. The first, written in 1662, was entitled ‘Upon the Singing of a Lark’. In this, Delaval used the ‘Godly’ bird to rebuke her habit of sleeping in late. The second was a cluster of prayers written as a response to a severe bout of toothache. This was allegedly caused by an infestation of more than two hundred worms(!) and inspired Delaval to contemplate her own mortality. Intriguingly, this gory episode may not have had its roots in personal experience. Daisy cited the work of Sara Read, who suggests that Delaval may have appropriated it from a letter originating at the court of Charles 1. As Delaval’s family were Stuart sympathisers, the tale could also function as an indication of political allegiance. Further, Daisy argued that Delaval’s writings also link to wider cultural concerns surrounding disease, death and decay: this was a time when the plague swept across England and Delaval, like so many of her contemporaries, was personally affected by it. Indeed, toothache was also not the inconvenience it is today but a potentially deadly illness, with tooth problems regularly appearing as a cause of death in contemporary bills of mortality. Daisy also explored the temporal disruption between the composition of the texts and their later transcription by an older Delaval into the curated manuscript that exists today, possibly as a precursor for publication. Daisy concluded by saying that although Delaval’s approach to crafting a good death was complicated, it was likely she did experience a fear of her own mortality, when ‘her neglect of her “penitential hours” [came] to haunt her.’

The final paper was given by Valentina Aparicio, from the University of Edinburgh. Her paper was entitled ‘Maria Graham’s Journal of a residence in Chile (1824): a transnational community of women’ and forms part of a wider research project concerning Scottish women who travelled to South America at the end of the eighteenth and start of the nineteenth centuries. Her paper for the WSG focussed on Maria Graham, who was born Maria Dundas and later became known as Lady Callcott. Graham travelled to Chile with her husband. However, he died before they arrived and she landed in South America as a widow. Rather than return home, she elected to stay in the town of Valparaiso and, during the year she spent there, Graham mixed with people from a number of different backgrounds, nationalities and classes. Generally, Graham appeared to be more sympathetic towards Chilean women, rather than the expatriate British women she met, whom she likened to Mrs Elton from Austen’s Emma. Valentina examined two of Graham’s encounters in detail. The first featured an elderly neighbour with a large flower garden who used her horticultural knowledge for healing purposes – La Chabelita. The second was with the women of La Rinconada who made the pottery Graham used at home. One of the most striking observations Valentina made was that Graham did not appear to apply her own British, classist, world-view to the Chilean women she encountered. Rather, she was prepared to meet with them in their own contexts and engage with them upon their own terms. For example, when she visited the female potters she was eager to sit down with them and join them in their work. As was later discussed during the questions, this may well have reflected a (post)Romantic ideal of the labouring poor but equally may have been something she would not have felt able to do in her own country where strict notions of class propriety would apply.

It was a stimulating and enjoyable session that provided much food for thought and a number of lively discussions during the questions. Huge thanks to all our speakers and to everyone who made February’s session possible.

Review by Dr Alison Daniell

Review of WSG Seminar, 19 September 2020 by Miriam Al Jamil

The first seminar of our 2020-2021 programme took place via zoom on 19th September. It was an inspiring start, with papers from Stephen Spiess, Sonia Villegas Lopez and Anthony Walker-Cook (see programme) and our usual lively discussion to follow. The papers represented research into the sixteenth, seventeenth and eighteenth centuries which covers most of the period with which the group is concerned. There were many interesting connections between them through their discourses on shaping narratives of power and chastity by monarchs and mistresses, and their sensual evocations of the beguiling incense of the seraglio and the grease and smoke of the country house kitchen.

Stephen Spiess presented an intriguing discussion of the ‘sexual conversion narrative’, the manipulation of female chastity as a status which could be regained and rewritten. He used the example of Anne Boleyn who was executed as a ‘harlot’ but was quietly reinstated as a chaste wife at the time of her daughter Elizabeth I’s coronation. Ecclesiastical records reveal at the other end of the social scale, the 1589 case of Ursula Shepherd who publicly repented her ‘whoredom’ and vowed ‘hereafter to lead a chaste life’. Spiess asked how this renewed ‘chastity’ might have been accepted by the community and effected in practice. He is interested in the social formation that constructed the ‘epistemology of the whore’ in early modern England as part of an ongoing project. Questions after his paper focussed on the continual making and remaking of sexual representation, the traditions of whore narratives such as that of Mary Magdalen and on the patriarchal institutions which formulated the narratives and why. Legal and religious structures, but also the fact that
women themselves were often the loudest accusatory voices were discussed, and the flexibility of spousal contracts which might condone pre-marital sex if formal marriage then took place. Chastity was clearly a fluid idea, composed of complex socially agreed and reinterpreted meanings.

The beautiful oil paintings which accompanied Spiess’ presentation deserve a mention. Sonia Villegas Lopez examined the idea of libertinism in the seventeenth century which was seen as primarily a male transgression but one which female writers such as Behn and Haywood increasingly redefined (see Laura Linker, Dangerous Women, Libertine Epicures and the Rise of Sensibility, 1670-1730). Lopez based her argument on two ‘Oriental’ or as Lopez prefers
‘transnational’ texts by Sébastien Brémond, Hattige, or the Amours of the King of Tamaran (1680) and Homais, Queen of Tunis (1681) which were thinly veiled critiques of Charles II’s court and the power of royal mistresses. Though at the boundaries of society, the women used their bodies to shape the opportunities which their confined lives presented, and to exploit the fallibilities of the
monarchs who ostensibly control them. The novels play with cross-dressing and multiple identities and show sexuality and politics as almost interchangeable. Ideas raised in discussions after the paper included the possibility that class was more important than gender in novels which featured
kings who raised lower status women to positions of power. This female power could safely be discussed in settings of ‘far-away places’. It was pointed out that Behn’s work demonstrates many of the prejudices against women, not least in terms of age and power. For example, Onahal, the old
wife of the king in Oroonoka, retains much of her power though relegated to second place and communicates with Oroonoko on behalf of Imoinda.

Anthony Walker-Cook took us into the eighteenth century and on a journey to the Underworld and the Mock-heroic as a way of writing in the epic mode through the work of Sarah Fielding and Mary Leapor. He analysed their use of Classical references, particularly from Homer and Virgil. We looked at Fielding’s The History of the Countess of Dellwyn (1759) which uses the references to frame commentary on her contemporary world, one which mirrors the chthonic confusion and dark recesses of myth and its powerful stories. Mary Leapor employs the tradition of ‘katabasis’ (descent)
in her poem Crumble-Hall to take us into the lower levels, the domain of the lower classes, workers and domestics who labour unseen like so many hideous mythological figures. She constructed ‘female narratives within a classical space’, where Sophronia kneads her dough and

‘thro’ her Fingers squeeze
Ambrosial Butter with the temper’d Cheese:
Sweet Tarts and Pudden. Too, her Skill declare;
And the soft Jellies, hid from baneful Air’

(in A Companion to Eighteenth-Century Poetry, ed. Christine Gerard, 2006, p.209).

Who could resist those tarts and ‘puddens’?! During the discussion, the tone of the poem was compared to Anna Laetitia Barbauld’s Washing Day (1797). The translations of Classical work, particularly Horatian Odes by Bluestocking women and the lesser known Mary Goddard were mentioned.

The particularly harrowing image of Hector’s dead body dragged behind a chariot in The Iliad sparked several examples in womens’ writing, notably Mary Wortley Montagu in her poem Saturday (1747) which conjures up the horror in a meditation on the effects of smallpox:

‘A glass in her right hand she bore,
For now she shunned the face she sought before.
‘How am I changed! Alas! How am I grown
A frightful spectre, to myself unknown!’ (line 1-6)

Thanks are due to all the speakers and to the host and chair of our first zoom meeting as a group. If this was a taste of what is to come, we can expect an exceptionally erudite and stimulating season of papers!

WSG seminar series 2020-21

The Women’s Studies Group 1558-1837 is pleased to announce the speakers for their seminar series 2020-21. All meetings will start promptly at 1pm BST/GMT* (with arrivals from 12.30 onward to allow for necessary preparations and administration). We aim to finish by 3.30pm.

Please be aware, you must be a member of the WSG to gain access to the Zoom sessions. The links are distributed through our WSG mailing list 24-hours before the event. Becoming a member means you will be able to attend the Zoom and in-person seminars for the 2020-2021 season.

***

September 19, 2020*
Stephen Spiess: Reading Strumpets: Thomas Heywood, Sexual Epistemology, and the Making of English Whoredom
Sonia Villegas Lopez: Female Libertinism in Gabriel de Brémond’s Transnational Oriental Fictions.
Anthony Walker-Cook: Descending into the Underworld with Mary Leapor and Sarah Fielding.

November 21, 2020
Rocio Martinez: To defend a princess’s rights to her father’s throne: Maria Theresia of Austria and the protestations against her renunciation of the inheritance of the Spanish Monarchy.
Avleen Grewal: Vathek: Gaze, Disorientations and Policing Identity.
Eva Lippold: Marriage and Magic Swords: Mariana Starke’s Factual Fairytale.

December 5, 2020
Daniel Beaumont: Melancholy and Despair among Early Modern English Women: A case study of Hannah Allen’s Satan’s Methods and Malice Baffled (1683).
Yvonne Noble: Elizabeth Elstob, Mary Delany, and Money.
Valerie Schutte: Popular Literature at the Accession of Queen Mary.

January 23, 2021
Megan Shaw: Looking towards a cultural history of Katherine Villiers, Duchess of Buckingham (1603-1649).
Gillian Beattie-Smith: Catherine Helen Spence: a consideration of her feminist and transnational agency.
Kate Stephenson: Lawyers, Débardeuses and Pages; Women Masquerading as Men.

February 20, 2021
Sarah Ailwood: ‘In justice to myself’: Legal and Textual Subjectivities in Eighteenth-Century Women’s Memoirs.
Daisy Winter: “I who am but dust”: mortal fear in Elizabeth Delaval’s ‘Memoirs and Meditations’.
Valentina Aparicio: Maria Graham’s Journal of a residence in Chile (1824): a transnational community of women.

March 20, 2021                                                                                                                       Cheryll Duncan: ‘Much want of judgment’: new evidence concerning the singer Jane Barbier.
Maria Clara Pivate Biajoli: Understanding Current Readers’ Reception of Jane Austen through Fan Fiction.                                                                                              Miriam al Jamil: The Grand Duchess of Tuscany’s Birth Days: Weary and Waiting at the Florentine Court.

April 17, 2021*

Julie Vig: Women and martiality in the Sikh literature of early modern Punjab.
Francesca Saggini: ‘From St Martin’s Street to “Camilla Cottage.” Frances Burney’s Houses between Fact and Fantasy.’

Anna Jamieson: “Comforts in her Calamity”: Dorothea Fellowes’s Shopping and Spending in the late Eighteenth-Century Private Madhouse.

*Please note that the September and April meetings are BST, and the rest are GMT.

For further information including abstracts, see our seminars page, or contact the organiser Carolyn D. Williams.  To join the WSG, see our membership page.

WSG seminar series 2019-20

The Women’s Studies Group 1558-1837 is pleased to announce the speakers for their seminar series 2019-20.  All seminars will take place at the Foundling Museum, 40 Brunswick Square, WC1N 1AZ, starting promptly at 1pm and finishing at 4pm.  Doors open at 12.30.  All seminars are free and open to the public, though refreshments will cost £2 to those who aren’t WSG members. The Foundling is a wheelchair accessible venue, and directions for getting to the Museum can be found here, including for those who are partially sighted. Those attending the seminars are welcome to look round the museum afterwards.

Saturday 21 September, 2019. Chairs Gillian Williamson and Carolyn D. Williams
Charmian Kenner: Sarah Andrews: furthering the cause of Latin American independence in early 19th century London
Sonia Villegas López: Female libertinism in Gabriel de Brémond’s transnational oriental fictions
Rebecca Simpson: Scandal and the Maternal Imagination in Eighteenth-Century Britain: The Confessions of Mary Toft [WSG Bursary awardee, 2018]
Alison Daniell: Of False Hair, Bolstered Hips and Witchcraft: The Regulation of Women’s Bodies and an Act of Parliament that Never Was

Saturday 23 November, 2019. Chairs Miriam al Jamil and Felicity Roberts
Masuda Qureshi: Celestial Revolutions: Hester Pulter and the circular skies.
Natasha Simonova: ‘Semiramis does not stand still’: Amabel Polwarth and Amateur Authorship
John Beddoes: Anna, Emmeline and Maria Edgeworth, Three Sisters of the Enlightenment: “I do not wish to be the cause of one of your tight laced faces.”
Francesca Saggini: Below and Beyond. On Re-reading Burney’s Biographies

Saturday 18 January, 2020. Chairs Angela Escott and Miriam al Jamil
Charlotte Young: Women’s involvement in Canterbury sequestrations, 1643-1650 [WSG Bursary winner, 2019]
Carol Stewart: Penelope Aubin’s The Noble Slaves and the Politics of Opposition
Anne Stott: Princess Charlotte of Wales: gender and the “reversionary interest”
Katherine Woodhouse: “Madam Smith says, what shou’d the Captain do with such a wife as me who can only sit with a book in her hand”
Anna Jamieson: Madness Exhibited: The Margaret Nicholson Scandal

Saturday 21 March, 2020. Chairs Carolyn D. Williams and Angela Escott
Lindy Moore: The Scottish Schoolmistress in the Eighteenth Century
Alexis Wolf: Women and Mentoring in the Late Eighteenth Century: Mary Wollstonecraft, Margaret King and Mary Shelley
Rachel Eckersley: Female benefactors to dissenting academies in England
Catriona Wilson: “Some attention to those female members”: Feminised monarchy in the first exhibition of Kensington Palace’s State Apartments, 1899

For further information including abstracts, see our seminars page, or contact the organiser Carolyn D. Williams.  To join the WSG, see our membership page.

Cfp WSG Seminars 2019-20

Established in the 1980s, the Women’s Studies Group 1558-1837 is an informal, multidisciplinary group which promotes in the study of women and gender in the early modern period and long eighteenth century.  The group enables members to keep in touch, to hear about one another’s research and publications, and to meet regularly to discuss relevant topics, including at regular weekend seminars and an annual workshop at the Foundling Museum. We can offer advice and opportunities to engage in activities that increase opportunities for publication, or enhance professional profiles in other ways.

For our 2019-20 seminars, we invite papers related to any aspect of women’s and gender studies: not only women writers, but any activity of a woman or women in the period of our concern, or anything that affects or is affected by women in this period, such as the law, religion, etc. Papers tackling aspects of women’s studies within or alongside the wider histories of gender and sexuality are particularly welcome. We would also welcome how-to presentations for discussion: examples of suitable topics would include, but are not limited to, applying for grants, setting up research networks, becoming a curator, co-authorship, using specialised data, and writing about images.  Papers should be about 20-25 minutes. The closing date for applications is 20 May 2019.

The seminar dates are:

  • Saturday 21 September, 2019, 1-4pm
  • Saturday 23 November, 2019, 1-4pm
  • Saturday 18 January, 2020, 1-4pm
  • Saturday 21 March, 2020, 1-4pm

The full address for the Foundling Museum is 40 Brunswick Square, London, WC1N 1AZ. It is a wheelchair accessible venue and there are further access directions including directions for partially-sighted visitors here.  We are allowed into the room at 12.30pm to give us time to sort out paperwork and technology, but sessions will run from 1-4pm. So please arrive a little early if you can.

The WSG is open to women, men and non-binary people, students, faculty, and independent scholars, all of whom are invited to join our group and to give papers.

Find out more about us at https://womensstudiesgroup.org

Check the Book section for progress on Exploring the Lives of Women

Please reply to WSG seminars organiser Carolyn D. Williams at cdwilliamslyle@aol.com