Valerie Schutte: Mary I and the Art of Book Dedications

WSG member Valerie Schutte has just had her book Mary I and the Art of Book Dedications: Royal Women, Power and Persuasion published with Palgrave Macmillan (£60 hardback).  It is the outcome of her doctoral research, and argues that dedications and the negotiations accompanying them reveal both contemporary perceptions of how statecraft, religion, and gender were, and the political maneuvering attempting to influence how they ought to be.  It is part of Palgrave’s Queenship and Power series, for which Valerie is also currently co-editing, with Sarah Duncan, The Birth of a Queen: Essays on the Quincentenary of Mary I (2016).

Valerie Schutte, Front cover of Mary I (Palgrave Macmillan, 2015)
Valerie Schutte, Front cover of Mary I (Palgrave Macmillan, 2015)

Valerie earned her PhD from the University of Akron.  She has a further research project underway, an edited collection on “Unexpected Heirs in Early Modern Europe”, for which she is currently seeking chapter proposals:

This collection seeks scholarship on queens and kings who were not expected to become rulers in their own right. In the early modern era many unexpected heirs came to power, but how, why, and the repercussions have never been the subject of one singular volume. The collection will be submitted to the Queenship and Power series (Palgrave Macmillan) edited by Charles Beem and Carole Levin, with planned publication for late 2017/early 2018.

This volume seeks proposals for submissions that consider unexpected heirs and how they achieved their queenship and kingship. Particularly sought are papers that explore issues facing these monarchs before and after their accessions, how they were educated and prepared for ruling, or their lack of preparation, familial relationships, and obstacles to obtaining power. Proposals on unexpected male and female heirs are welcome, as are papers that examine heirs who did not go on to be queens or kings. The intention for the volume is to engage in the actual lives and cultural afterlives of illegitimate children, daughters, and younger sons and the reception of such heirs.

Chapter proposals of 500 words, accompanied by a brief biography, must be submitted to unexpectedheirs@gmail.com by 1 January 2016 to be considered. Accepted authors will be notified by March 2016, and complete essays will be due by 15 October 2016.

WSG seminars 2015-2016 announced

Anonymous, trade card, paper, c1760, collected by Sarah Sophia Banks.  BM D,2.3603.
Anonymous, trade card, paper, c1760, collected by Sarah Sophia Banks. British Museum D,2.3603. © The Trustees of the British Museum

The Women’s Studies Group 1558-1837 is pleased to announce its seminar schedule for the forthcoming academic year.  Seminars will take place at the Foundling Museum, London, WC1N 1AZ, and start promptly at 1pm, finishing at about 4.  Tea and biscuits are provided.  Why not arrive early and see the Foundling’s current exhibition, or hear a gallery talk?

This year seminars organiser Dr Carolyn Williams has drawn together papers with musical themes, as well as on collecting, natural philosophy, literature, politics, and book history from across WSG’s 16th- to early 19th-century range.  Dates and speakers are as follows:

Saturday 26th  September, 2015, 1-4pm, Foundling Museum
Diana Ambache, ‘Women composers of the late 18th century’
Professor Paula Higgins, ‘Suppressing the Suppression of Fanny Hensel: Textual Ellipsis and Other Signs of Biographical Censorship’
Dr Arlene Leis, ‘Sarah Sophia Banks as a Collector’

NB Diana Ambache will have CDs of the composers profiled on sale, from £6 to £14.

Saturday 28th November, 2015, 1-4pm, Foundling Museum
Associate Professor Tita Chico, ‘Knowledge Seduction’
Dr Andrew McInnes, ‘Resistant Readers in Sarah Fielding’s The Governess’
Chrisy Dennis, ‘“We were born to grace society: but not to be its slaves”: Chivalry and Revolution in Mary Robinson’s Hubert de Sevrac, A Romance of the Eighteenth Century (1796)’

Saturday January 30, 2016, 1-4pm, Foundling Museum
Valerie Schutte, ‘Pre-accession Printed Book Dedications to Mary and Elizabeth Tudor’ (see a publication of Valerie’s here)
Brianna Elyse Robertson-Kirkland, ‘Venanzio Rauzzini (1746 – 1810) and his female operatic students’
Sarah Oliver, ‘From Rape to Desire: Mary Hays’s Revision of the Love Theme and Jane Austen’s “New” Heroines’ (see a publication of Sarah’s here)

For more information, and brief abstracts of the papers, see our current seminars page, like WSG’s facebook page, or follow @WSGUK.