The Women’s Studies Group 1558-1837 is pleased to announce the speakers for their seminar series 2016-17. Please note the change of dates this year to the third Saturday of each month, and we have also added a fourth date in March for the presentation of “works in progress”. All seminars will take place at the Foundling Museum, 40 Brunswick Square, WC1N 1AZ, starting promptly at 1pm and finishing at 4pm. Doors open at 12.30. All seminars are free and open to the public, though refreshments will cost £2 to those who aren’t WSG members. Those attending the seminars are welcome to look round the museum afterwards.
Saturday 17th September, 2016. Chair: TBC
Brianna Elyse Robertson-Kirkland: Venanzio Rauzzini (1746 – 1810) and his female operatic students.
Judith Page: Austen and Shakespeare: Mansfield Park, Shylock, and the ‘exquisite acting’ of Edmund Kean.
Lucy Gent: What is becoming in Mansfield Park? Jane Austen and Cicero’s De Officiis.
Saturday 19th November, 2016. Chair: TBC
Valerie Schutte: Celebrating the 500th Birthday of Queen Mary I in Manuscript Images.
Emma Newport: Interplay and Interpretation: Lady Banks’s “Dairy Book” and the collection and collation of Chinese Porcelain.
Chrisy Dennis: “We were born to grace society: but not to be its slaves”: Chivalry and Revolution in Mary Robinson’s Hubert de Sevrac, A Romance of the Eighteenth Century (1796).
Saturday 21st January, 2017. Chair: Lois Chaber
Charlotte Young: “Our Wives you find at Goldsmiths Hall”: Women and sequestration during the English Civil War.
Helen Draper: Mary Beale and the Performance of Friendship.
Mascha Hansen: Beyond Marriage: Envisioning the Future in Women’s Writings, 1660-1830.
Saturday 18th March, 2017 (works in progress). Chair: TBC
Madeleine Pelling: “That Noble Possessor”: The Pursuit of Virtuous Knowledge and its Materials in the Collection of Margaret Cavendish Bentinck, Duchess of Portland (1715-1785).
Erica Buurman: Almack’s ballroom and the introduction of European dances.
Angela Escott: Hannah Cowley’s “dramatic talents” employed in her epic poem of the Napoleonic Wars, The Siege of Acre (1801).