Update: Women’s Writing in the Nineteenth Century seminars

WSG member Susan Civale’s seminar series hosted by the International Centre for Victorian Women Writers at Canterbury Christ Church University is continuing in 2016.  Entitled “Women’s Writing in the Nineteenth Century”, several of the sessions may be of interest to scholars with interests towards the end of WSG’s time period.

The remaining seminars are:
Dr Felicity James (Leicester) on “Women of dissent: religion life writing, and female identity in the long 19th century”, Thursday 28 January 2016 (Room Nf09)
Dr Matt Rubery (QMUL) on “Human audiobooks: women, reading aloud, and technology”, Thursday 25 February 2016 (Room Prg03)
Dr Andrew Maunder (Hertfordshire) on “Infant phenomena: Victorian child stars and early-victorian celebrity culture”, Tuesday 3 May 2016 (Room Prg03)

The seminars are all open to the public, take place from 5pm, with tea & coffee available from 5 and the talk beginning 5.15.  For more information, please email Susan.

Susan has also been awarded a Visiting Research Fellowship at Chawton House Library this year to pursue her research on the fiction of Mary Robinson (1757-1800).  She will take up her Fellowship in April 2016, and will write about her research for the WSG blog.

Reminder: WSG Seminar Jan 2016

Update: 29 January 2016:

Unfortunately due to unforeseen circumstances, Chrisy Dennis is unable to give her paper at our seminar tomorrow.  The rest of the programme remains unchanged, and we hope to invite Chrisy back to talk on Mary Robinson at a later date.  Apologies for any inconvenience.

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The third WSG seminar of the academic year will take place in just over a week’s time at the Foundling Museum.  Directions for getting to the Museum can be found here.  Doors open after 12.30pm with the session starting promptly at 1, and tea, coffee and biscuits at about 2.30pm.  Non-members who wish to attend the seminar are very welcome to come but will be asked to make a small donation for refreshments.

For the January session seminars organiser Carolyn Williams has scheduled papers on queens, singers, and writers.  WSG are also very pleased that Chrisy Dennis, who couldn’t make it in November, will present her paper at this session.  As ever, attendees are also encouraged to visit the current Foundling exhibition (free!), which in January is about illustrators of orphans from the eighteenth-century to the present day.

Saturday 30th January 2016,  1-4pm, Foundling Museum
Chair: Lois Chaber

Valerie Schutte, ‘Pre-accession Printed Book Dedications to Mary and Elizabeth Tudor’
This paper will offer a comparison of the printed book dedications received by Mary and Elizabeth Tudor before each woman became queen.  This analysis will demonstrate how each royal sibling was connected to early book culture and how that interplayed with her course of education.

Brianna Elyse Robertson-Kirkland, ‘Venanzio Rauzzini (1746-1810) and his female operatic students’
Venanzio Rauzzini, an Italian castrato, was described by The Monthly Mirror in 1807 as ‘the father of a new style of English singing and a new race of singers’, and lists a number of the most esteemed opera singers of the period as his students, including Nancy Storace and Elizabeth Billington.

Sarah Oliver, ‘From Rape to Desire: Mary Hays’s Revision of the Love Theme and Jane Austen’s “New” Heroines’
The discussion argues that fictional representations of female sexual desire were problematic for women writers in the Long Eighteenth Century, until Radical writers including Mary Wollstonecraft and Mary Hays re-worked the theme.

Chrisy Dennis, ‘“We were born to grace society: but not to be its slaves”: Chivalry and Revolution in Mary Robinson’s Hubert de Sevrac, A Romance of the Eighteenth Century (1796)’
Mary Robinson’s Romance, written during a period of anti-revolutionary backlash in England, overtly criticises the patriarchal order that pervades Europe.  It offers the reader a new family dynamic – one that is based on equality.

Reminder: WSG November Seminar 2015

The second WSG seminar of the academic year will take place in just over a week’s time at the Foundling Museum.  Directions for getting to the Museum can be found here.  Doors open after 12.30pm with the session starting promptly at 1, and tea, coffee and biscuits at about 2.30pm.  Non-members who wish to attend the seminar are very welcome to come but will be asked to make a donation for refreshments.

For the November session seminars organiser Carolyn Williams has scheduled papers on knowledge work, discipline and rebellion.  It promises to be a stirring discussion and will provide an interesting counterpart to the Foundling’s current exhibition, The Fallen Woman in Victorian Britain.

Fallen Woman campaign material
Fallen Woman campaign material

Saturday 28th November 2015, 1-4pm, Foundling Museum
Chair: Felicity Roberts

Tita Chico, ‘Knowledge Seduction’
In this talk, I argue that the circulation of and belief in natural philosophy in the long eighteenth century can be understood through the logic of seduction, a well-established topos in literary history.

Andrew McInnes, ‘Resistant Readers in Sarah Fielding’s The Governess’
This presentation explores how the act of interpretation is portrayed in didactic children’s literature of the eighteenth century, allowing a glimpse of indiscipline in works which have otherwise been read as straightforwardly disciplinary.

Chrisy Dennis, ‘“We were born to grace society: but not to be its slaves”: Chivalry and Revolution in Mary Robinson’s Hubert de Sevrac, A Romance of the Eighteenth Century (1796)’
Mary Robinson’s Romance, written during a period of anti-revolutionary backlash in England, overtly criticises the patriarchal order that pervades Europe.  It offers the reader a new family dynamic – one that is based on equality.

Women’s Writing in the Nineteenth Century seminars

WSG member Susan Civale has organised a series of seminars to be hosted by the International Centre for Victorian Women Writers at Canterbury Christ Church University in 2015-2016.  Entitled “Women’s Writing in the Nineteenth Century”, several of the sessions may be of interest to scholars with interests towards the end of WSG’s time period.

Dr Sophie Gilmartin (RHUL), Tuesday 20 October 2015
Professor Angela Wright (Sheffield), Thursday 26 November 2015
Dr Felicity James (Leicester), Thursday 28 January 2016
Dr Matt Rubery (QMUL), Thursday 25 February 2016

The seminars are all open to the public, take place at 5.15pm, and details of rooms can be found here.  For more information, please email Susan.

Susan has also been awarded a Visiting Research Fellowship at Chawton House Library this year to pursue her research on the fiction of Mary Robinson (1757-1800).  She will take up her Fellowship in April 2016, and will write about her research for the WSG blog.

Reminder: WSG September Seminar 2015

The first WSG seminar of the new academic year will take place in just over a week’s time.  This will be the first in WSG’s new home, the Foundling Museum.  Directions for getting to the Museum can be found here.  Doors open after 12.30pm with the session starting promptly at 1, and tea, coffee and biscuits at about 2.30pm.  Non-WSG members who wish to attend the seminar are welcome to come but will be asked to make a donation for refreshments.

For the September session seminars organiser Carolyn Williams has serendipitously gathered together a number of papers with musical and collecting themes, which chimes well with the Foundling’s own history.  The Museum was founded to tell the story of the Foundling Hospital, the first charity for children in Britain.  One of its first major supporters was the composer George Frideric Handel, and today the Museum holds an important archive related to his life and works, and holds a regular music programme.

Saturday 26th September 2015, 1-4pm, Foundling Museum
Chair: Angela Escott

Diana Ambache, ‘Women composers of the late 18th century’
This paper presents two Enlightenment composers. Sophia Dussek (1775-1830) was part of the lively musical scene in London. Marianne Martinez (1744-1812) wrote the 1st classical Symphony by a woman.

Paula Higgins, ‘Suppressing the Suppression of Fanny Hensel: Textual Ellipsis and Other Signs of Biographical Censorship’
A tell-tale sign of the longstanding gender politics in which Fanny Hensel (1805-1847) and her quest for musical authorship have become enmeshed are repeated attempts on the part of biographers to shield her brother, Felix Mendelssohn from accusations of thwarting his sister’s ambitions.

Elizabeth Weinfield, ‘Isabella d’Este: Patronage, Performance, and the Viola da Gamba’
This paper will explore Isabella d’Este (1474-1539) and her role as a major patron of music in Renaissance Italy.

Arlene Leis, ‘Sarah Sophia Banks as a Collector’
This talk will focus on the rich paper collections amassed by Sarah Sophia Banks (1744-1818), now housed in the British Museum and British Library.