Just a reminder that on 11 June at Senate House, University of London, the Women’s Studies Group annual workshop takes place and the theme this year is “Women and the Bible”.
Emma Major of the University of York is giving the keynote on Anna Letitia Barbauld, dissent and democracy during the age of revolution. To get an idea of Emma’s work, which is funded by the British Academy, you can watch this video:
WSG workshops always include a morning keynote followed by an afternoon of discussion in which all the attendees give 5-minute presentations on any research within the WSG time period relevant to the workshop theme. There is still time to register, and attendees are encouraged to bring material on any of the following topics:
All attendees are invited to bring a 5-minute presentation, from any discipline and period covered by the group, exploring any of the following themes:
Gender, the public and the private * Women, publication and anonymity * Women and religion * Women, violence and revolution * Gender and genre * Women and the nation * Preaching women * Women and the Bible * Dissent
After the seminar the WSG blog had a chance to catch up with Valerie about her various projects:
“I have several projects I am working on that are of interest to the WSG, and I can’t wait to come to another seminar to talk about them. Many still relate to Queen Mary I. I actually mentioned these at the WSG meeting and got lots of positive feedback. I plan on writing an article titled “Mary in Miniature.” I frequently get asked if any images are connected to the book dedications to Mary. Generally the answer is no. Mary’s books and manuscripts tend not to be illuminated or have gorgeous decoration. In “Mary in Miniature,” I am going to address this lack of images as well as address the few manuscript images of Mary that do actually exist. For my other project on Mary I am planning an essay on her relationship with Hampton Court Palace. This is a palace that she chose to use and visit for the most important personal occasions in her reign, such as her honeymoon and her first childbirth. I am going to address why she chose this palace and how she used it as Queen.
My next major project is one that I mentioned at the WSG meeting and was highly encouraged to pursue. In my first monograph, I spent a chapter recreating the personal library of Queen Mary I. It was some of my most rewarding and enjoyable research. Rather than undertaking a monograph on only one woman’s library and books dedicated to her, I have decided to write one where each chapter is about one woman related to or connected with Queen Mary I, such as Jane Dormer. Each chapter will cover a different woman and her books. Once I have around five or seven women and have recovered their literary history, I will put them together in a monograph along with an introduction and conclusion that tie the patterns of their libraries, book collections, and dedications together. This will allow me to draw conclusions about Mary’s literary influence at court.”
We’re looking forward to hearing further details of Valerie’s work as these projects progress. You can see Valerie’s webpage for further details and relevant cfps. Along with her Unexpected Heirs in Modern Europe and Shakespeare’s Queens (co-edited with Kavita Mudan Finn) collections, it looks like Valerie is going to be extremely busy in 2016.
This is a great post with which to kick off 2016, for all readers who believe the history of early modern and 18thC women should be considered (and practised) as part of a broader history of sex and gender. WSG member Gillian Williamson has published her study British Masculinity in the ‘Gentleman’s Magazine’, 1731-1815with Palgrave Macmillan (£63 hardback). Gillian is an independent historian. She read classics at the University of Cambridge then worked in corporate finance. She returned to academic study after editing a lottery-funded local history book.
Launched in 1731, the monthly Gentleman’s Magazine was the dominant periodical of the 18thC, drawing its large readership from across the literate population of Great Britain and the English-speaking world. Its readers were highly responsive. By the 1740s their letters, poems and family announcements, especially obituaries, filled at least half its pages, sitting alongside articles by a circle that included Samuel Johnson. It was a Georgian social network as readers engaged in a continuous dialogue with each other, but not all these readers were as comfortably established as gentlemen as the title implied.
Gillian’s study traces how, from launch to the Battle of Waterloo in 1815, the magazine developed as a vehicle for the creation and national dissemination of a new middling-sort masculine gentlemanliness in a Britain that was increasingly commercial, fluid and open. You can read a sample chapter here.
The Women’s Studies Group 1558-1837 is pleased to announce its seminar schedule for the forthcoming academic year. Seminars will take place at the Foundling Museum, London, WC1N 1AZ, and start promptly at 1pm, finishing at about 4. Tea and biscuits are provided. Why not arrive early and see the Foundling’s current exhibition, or hear a gallery talk?
This year seminars organiser Dr Carolyn Williams has drawn together papers with musical themes, as well as on collecting, natural philosophy, literature, politics, and book history from across WSG’s 16th- to early 19th-century range. Dates and speakers are as follows:
Saturday 26th September, 2015, 1-4pm, Foundling Museum Diana Ambache, ‘Women composers of the late 18th century’ Professor Paula Higgins, ‘Suppressing the Suppression of Fanny Hensel: Textual Ellipsis and Other Signs of Biographical Censorship’ Dr Arlene Leis, ‘Sarah Sophia Banks as a Collector’
NB Diana Ambache will have CDs of the composers profiled on sale, from £6 to £14.
Saturday 28th November, 2015, 1-4pm, Foundling Museum Associate Professor Tita Chico, ‘Knowledge Seduction’ Dr Andrew McInnes, ‘Resistant Readers in Sarah Fielding’s The Governess’ Chrisy Dennis, ‘“We were born to grace society: but not to be its slaves”: Chivalry and Revolution in Mary Robinson’s Hubert de Sevrac, A Romance of the Eighteenth Century (1796)’
Saturday January 30, 2016, 1-4pm, Foundling Museum
Valerie Schutte, ‘Pre-accession Printed Book Dedications to Mary and Elizabeth Tudor’ (see a publication of Valerie’s here) Brianna Elyse Robertson-Kirkland, ‘Venanzio Rauzzini (1746 – 1810) and his female operatic students’
Sarah Oliver, ‘From Rape to Desire: Mary Hays’s Revision of the Love Theme and Jane Austen’s “New” Heroines’ (see a publication of Sarah’s here)