Susan Civale: Chawton House fellowship

WSG member Susan Civale, Senior Lecturer in English Literature at Canterbury Christ Church University, just finished a month at Chawton House Library researching the poet and actress Mary Robinson (1757-1800). She reflects on her experience below.

Chawton House Library
Chawton House Library

I spent the month of April on a Visiting Fellowship at Chawton House Library, the one-time home of Jane Austen’s brother, Edward, and now a research centre specialising in women’s writing 1600-1830. For the entire month, the three other Visiting Fellows and I had free rein over the library’s collection and reading rooms, its 275-acre grounds (which include a Walled Garden and a ‘Wilderness’!), and its ‘Stables’, the modest 7-bedroom ‘cottage’ which was our place of residence for the month. We had at our disposal the expertise and support of the Chawton House Head Librarian and the exclusive use of the upper reading room. We were also invited to attend evening lectures, to join the Chawton monthly reading group, and to give presentations on our own research topics. Needless to say, the collection, location, and research culture at Chawton House Library made for a period of study marked by productivity, creativity, and sociability.

Susan in front of the Mary Robinson portrait at Chawton House
Susan in front of the Mary Robinson portrait at Chawton House

My research at Chawton was focused on one of Jane Austen’s more scandalous contemporaries: the poet, actress, and royal mistress, Mary Darby Robinson, whose stunning 1782 portrait beamed out at me from the wall of the Library’s Great Hall on a daily basis. I was devoting my time at Chawton to a chapter of my monograph that examines the impact of Robinson’s life writing on her posthumous reputation. My argument is based around the idea that Robinson’s Victorian readers found her Memoirs seductive, perplexing, and sympathetic, a contradictory mix that is often borne out in complex affective nineteenth-century responses to her. I found exciting evidence for this argument in the archive at Chawton, where I discovered an original subscription copy of Mary Robinson’s Poems (1791), which had been bound and inscribed with the personal insignia of Victorian poet and memoirist Violet Fane, the pseudonym of Mary, Baroness Currie (1843-1905). Apparently, there are only three other books known to feature this same personalised design of the gold violet: Lady Currie’s own Collected Verses (1880) and the two volumes of her Poems (1892). However, the bound copy of Robinson’s Poems is unique in bearing the inscription of her pen name, ‘Violet Fane,’ on the front and back covers.

That Lady Currie took such pains to personalise her copy of Robinson’s Poems in this way suggests she felt an affinity with her eighteenth-century predecessor. The similarities in their private lives are certainly striking. Both writers were known for their loveless marriages, affairs, and scandalous reputations. Lady Currie, like Robinson before her, was nicknamed ‘Sappho’ by her contemporaries, and the thinly veiled satire of her marriage, Edwin and Angelina (1878), may be a gesture toward Robinson’s 1796 novel Angelina. Finally, Lady Currie’s unfinished manuscript memoir was written on the reverse sides of menus and other cards retained from social visits, a choice of writing material that recalls Robinson’s decision to draft her Memoirs on the backs of envelopes, many of which had enclosed letters from subscribers to her Poems (1791). Lady Currie seems to have been styling herself as a late-Victorian Robinson, a strain of self-fashioning that speaks to Robinson’s own highly skilled self-construction and her enduring literary afterlife.

Besides offering such exceptional opportunities for research, Chawton also fostered a scholarly camaraderie among the ‘Fellows.’ As we traipsed into the reading room every morning, chatted about our work over lunch, and walked to a country pub in the evening, we settled into a routine of research and leisure that was productive, enjoyable, and empowering. One of the nicest aspects of the Fellowship was engaging with three other academics who shared so many of my own research interests, but who each had her own unique area of expertise. With so much to talk about, and so many opportunities to discuss questions big and small, we got to know each other both academically and personally. By the end of my stay at Chawton I felt I had gained not only three new colleagues but three new friends.

Although it was sad to say goodbye to this idyllic Hampshire home at the end of April, I left Chawton inspired. In a letter written to her friend and fellow writer Jane Porter in 1800, Mary Robinson had articulated a particular wish:

“Oh! Heavens! If a Select Society could be formed, – a little Colony of Mental Powers, a world of Talents, drawn into a small but brilliant circle, – what a splendid sunshine would it display.”

I couldn’t help thinking, as I left the light-filled conservatory of the ‘Stables’ on my final morning there, that at Chawton House Library I had participated in just the kind of “small but brilliant circle” of inquiring minds and lively discussion that Robinson had imagined 200 years ago. The trick, now, would be to take that “splendid sunshine” back to Canterbury with me, and amidst the paperwork and exam boards, find time for the illuminating conversations with colleagues and students that are the heart and soul of every university campus.

The deadline each year for applying for a Chawton House Visiting Fellowship is usually April.  You can learn more about Chawton’s Fellowships here.   Susan tweets as @susancivale.

WSG members online: Early Modern Medicine blog and the Orlando Project

Now that the academic summer break is well and truly over, WSG wants to highlight the rigorous research of WSG members online.  Over the past twenty years the internet has allowed new academic formats to take root and flourish and two great examples are the Orlando Project, co-run by WSGer Isobel Grundy, and the Early Modern Medicine blog, co-edited by WSG committee member Sara Read.

Orlando Project logo
Orlando Project logo

The Orlando Project is a textbase of women’s writing in the British Isles from the beginnings to the present.  Collaboratively authored and published by the University of Cambridge online since 2006 and available by subscription, the database is usually open access every March, Women’s History month.  Recent entries from WSG’s time period include Lady Hester Pulter (1605-1678) a significant poet who has remained unknown because she did not circulate her work, even in manuscript; Margaret Calderwood (1715-1774) a journal writer; Maria Susanna Cooper (1737-1807) a novelist and poet; and Isabella Hamilton Robinson (1813-1887), an erotic (possibly fantasist) diarist.

The Early Modern Medicine blog was founded by the University of Hertfordshire’s Dr Jennifer Evans and is a fast-growing collection of short essays on all aspects of early modern health, medicine, and gender.  Previous posts include discussions of postpartum incontinence, the therapeutic use of human body parts, and prayer and spa cures.  Jennifer and Sara also welcome guest bloggers and book reviewers.

In some ways the Orlando Project and the Early Modern Medicine blog represent two poles in the kind of innovative scholarly work, on women’s and gender studies in the early modern period and eighteenth century, that can be presented and disseminated online.  And as a group that prides itself on its independent, radical approach, WSG is happy to have connections with both.

Foundling Museum’s Art Happens campaign

Fallen Woman campaign material
Fallen Woman campaign material

The Foundling Museum, WSG’s kind host for this year’s seminar series, is putting on an exhibition that WSG followers can really get behind.  It falls a little bit outside WSG’s time period, but it is about the nineteenth-century idea of the “Fallen Woman” and the real Victorian women who gave up their babies to the Foundling Hospital.

To complete the exhibition, the Foundling is seeking £23,000 from the public.  It has an Art Happens fundraising page on the Art Fund website, where interested parties can donate, and learn more about the project.  It is already 65% funded at the time of this blog post, which indicates the degree of interest in the project so far.

You can follow updates from @foundlingmuseum, through their #FallenWoman hashtag, and from @artfund #arthappens.

WSG member Sara Read’s new book: Maids, Wives and Widows

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Sara Read, Front cover, Maids, Wives and Widows (Pen & Sword, 2015)

Following on from Julie Peakman’s new biography of the Georgian courtesan Peg Plunkett, WSG would also like to highlight WSG member (and WSG’s chief Twitterer) Sara Read’s new book Maids, Wives and Widows: Exploring Early Modern Women’s Lives 1540-1740, which came out in May.  It is available from Pen & Sword books, and for a limited time is only £15.99 (rrp £19.99).  Maids, Wives and Widows explores the everyday lives of early modern women, from menstruation, childbirth, and bodily care, to employment, literature, and food and drink.

Sara is a Lecturer in English at Loughborough University.  She is the author of Menstruation and the Female Body in Early Modern England (Palgrave Macmillan, 2013), and her latest project investigates female obesity in early modern England.  She co-edits the fantastic Early Modern Medicine blog with Dr Jennifer Evans.

WSG member Julie Peakman’s new book: Peg Plunkett

Julie Peakman, front cover of Peg Plunkett (Quercus, 2015)
Julie Peakman, front cover of Peg Plunkett (Quercus, 2015)

Long-time WSG member Julie Peakman’s latest book is out this month! Peg Plunkett: Memoirs of a Whore is published by Quercus and is available from all good bookshops and online for £20. Peg tells the story of one of the Georgian era’s most famous courtesans, based on her memoirs which caused a scandal when published in 1795, and Julie’s own extensive research.

Julie is a well-known historian of eighteenth-century culture and an expert in the history of sexuality.  An Honorary Fellow of Birkbeck College, University of London, her previous books Lascivious Bodies (2004) and The Pleasure’s All Mine (2013), have both been critical and popular successes.