Susan Civale: Chawton House fellowship

WSG member Susan Civale, Senior Lecturer in English Literature at Canterbury Christ Church University, just finished a month at Chawton House Library researching the poet and actress Mary Robinson (1757-1800). She reflects on her experience below.

Chawton House Library
Chawton House Library

I spent the month of April on a Visiting Fellowship at Chawton House Library, the one-time home of Jane Austen’s brother, Edward, and now a research centre specialising in women’s writing 1600-1830. For the entire month, the three other Visiting Fellows and I had free rein over the library’s collection and reading rooms, its 275-acre grounds (which include a Walled Garden and a ‘Wilderness’!), and its ‘Stables’, the modest 7-bedroom ‘cottage’ which was our place of residence for the month. We had at our disposal the expertise and support of the Chawton House Head Librarian and the exclusive use of the upper reading room. We were also invited to attend evening lectures, to join the Chawton monthly reading group, and to give presentations on our own research topics. Needless to say, the collection, location, and research culture at Chawton House Library made for a period of study marked by productivity, creativity, and sociability.

Susan in front of the Mary Robinson portrait at Chawton House
Susan in front of the Mary Robinson portrait at Chawton House

My research at Chawton was focused on one of Jane Austen’s more scandalous contemporaries: the poet, actress, and royal mistress, Mary Darby Robinson, whose stunning 1782 portrait beamed out at me from the wall of the Library’s Great Hall on a daily basis. I was devoting my time at Chawton to a chapter of my monograph that examines the impact of Robinson’s life writing on her posthumous reputation. My argument is based around the idea that Robinson’s Victorian readers found her Memoirs seductive, perplexing, and sympathetic, a contradictory mix that is often borne out in complex affective nineteenth-century responses to her. I found exciting evidence for this argument in the archive at Chawton, where I discovered an original subscription copy of Mary Robinson’s Poems (1791), which had been bound and inscribed with the personal insignia of Victorian poet and memoirist Violet Fane, the pseudonym of Mary, Baroness Currie (1843-1905). Apparently, there are only three other books known to feature this same personalised design of the gold violet: Lady Currie’s own Collected Verses (1880) and the two volumes of her Poems (1892). However, the bound copy of Robinson’s Poems is unique in bearing the inscription of her pen name, ‘Violet Fane,’ on the front and back covers.

That Lady Currie took such pains to personalise her copy of Robinson’s Poems in this way suggests she felt an affinity with her eighteenth-century predecessor. The similarities in their private lives are certainly striking. Both writers were known for their loveless marriages, affairs, and scandalous reputations. Lady Currie, like Robinson before her, was nicknamed ‘Sappho’ by her contemporaries, and the thinly veiled satire of her marriage, Edwin and Angelina (1878), may be a gesture toward Robinson’s 1796 novel Angelina. Finally, Lady Currie’s unfinished manuscript memoir was written on the reverse sides of menus and other cards retained from social visits, a choice of writing material that recalls Robinson’s decision to draft her Memoirs on the backs of envelopes, many of which had enclosed letters from subscribers to her Poems (1791). Lady Currie seems to have been styling herself as a late-Victorian Robinson, a strain of self-fashioning that speaks to Robinson’s own highly skilled self-construction and her enduring literary afterlife.

Besides offering such exceptional opportunities for research, Chawton also fostered a scholarly camaraderie among the ‘Fellows.’ As we traipsed into the reading room every morning, chatted about our work over lunch, and walked to a country pub in the evening, we settled into a routine of research and leisure that was productive, enjoyable, and empowering. One of the nicest aspects of the Fellowship was engaging with three other academics who shared so many of my own research interests, but who each had her own unique area of expertise. With so much to talk about, and so many opportunities to discuss questions big and small, we got to know each other both academically and personally. By the end of my stay at Chawton I felt I had gained not only three new colleagues but three new friends.

Although it was sad to say goodbye to this idyllic Hampshire home at the end of April, I left Chawton inspired. In a letter written to her friend and fellow writer Jane Porter in 1800, Mary Robinson had articulated a particular wish:

“Oh! Heavens! If a Select Society could be formed, – a little Colony of Mental Powers, a world of Talents, drawn into a small but brilliant circle, – what a splendid sunshine would it display.”

I couldn’t help thinking, as I left the light-filled conservatory of the ‘Stables’ on my final morning there, that at Chawton House Library I had participated in just the kind of “small but brilliant circle” of inquiring minds and lively discussion that Robinson had imagined 200 years ago. The trick, now, would be to take that “splendid sunshine” back to Canterbury with me, and amidst the paperwork and exam boards, find time for the illuminating conversations with colleagues and students that are the heart and soul of every university campus.

The deadline each year for applying for a Chawton House Visiting Fellowship is usually April.  You can learn more about Chawton’s Fellowships here.   Susan tweets as @susancivale.

Reminder: WSG workshop, Women & the Bible

Just a reminder that on 11 June at Senate House, University of London, the Women’s Studies Group annual workshop takes place and the theme this year is “Women and the Bible”.

Emma Major of the University of York is giving the keynote on Anna Letitia Barbauld, dissent and democracy during the age of revolution. To get an idea of Emma’s work, which is funded by the British Academy, you can watch this video:

WSG workshops always include a morning keynote followed by an afternoon of discussion in which all the attendees give 5-minute presentations on any research within the WSG time period relevant to the workshop theme.  There is still time to register, and attendees are encouraged to bring material on any of the following topics:

  • Women, violence, & religion
  • Gender & genre
  • Women & the nation
  • Gender, the public, & the private
  • Preaching women
  • Women, anonymity, & publication
  • Women & the Bible
  • Dissent
  • Women & religion

…What will you be presenting?

Felicity Roberts: Mary Delany and her collages

Front cover of Materializing Gender (Routledge, 2016)A new book edited by Jennifer Germann and Heidi Strobel, Materializing Gender in Eighteenth-Century Europe, has recently been published by Routledge.  The collection was actually seen through the press by Ashgate USA’s Margaret Michniewicz, until Ashgate’s acquisition by Routledge.  Margaret is now pursuing new projects as Bloomsbury’s Visual Arts/Art History Acquisitions Editor, and she tweets as @BburyViaAshg8.  Expect some exciting announcements from her account soon.

Materializing Gender includes essays on the needle artist Mary Linwood (see her fantastic portrait of Napoleon at the V&A here), and almanacs, mantillas, guns and silver, amongst objects, as well as WSG member Felicity Roberts’ chapter on the eighteenth-century gentlewoman Mary Delany whose hybrid scientific and art practices included diary- and letter-writing, botanising, shellwork, collaging, needlework, and the writing of a novella.  Felicity explores how Delany’s class and gender shaped her serious botanical interests, and how she expressed and shaped this complex subject position through her famous flower collages and novella.  Felicity hopes to follow up her interest in Mary Delany with a wider study of women, natural history and material culture in the long eighteenth century soon.  Beginning with Charlotte Smith’s ‘Beachy Head‘… what do readers think? What other ‘hybrid’ literary, art and scientific works are there in this period?

WSG Workshop 2016: Emma Major, Women and the Bible

The WSG is very pleased to announce that its 2016 workshop will be:

“Women and the Bible: Barbauld and Others”

Keynote Speaker: Emma Major, University of York

Anonymous, The Unitarian Arms, detail, 1792. Satirical print. BM PD 1868,0808.6222. © The Trustees of the British Museum
Anonymous, The Unitarian Arms, detail, 1792. Satirical etching. BM PD 1868,0808.6222. © The Trustees of the British Museum

Date: 11th June 2016

Time: 11am-4.30pm (registration from 10.30)

Venue: Room 264, Senate House, University of London

Cost for attendance (inc lunch & refreshments): £23 (WSG members), £28 (non-WSG members)

To register, Women’s Studies Group 1558–1837 Workshop Registration 2016

All attendees are invited to bring a 5-minute presentation, from any discipline and period covered by the group, exploring any of the following themes:

Gender, the public and the private * Women, publication and anonymity * Women and religion * Women, violence and revolution * Gender and genre * Women and the nation * Preaching women * Women and the Bible * Dissent

For readers who would like to publicise the event, please download the WSG Workshop 2016 and the Women’s Studies Group 1558–1837 Workshop Registration 2016 form.

For further information, see the annual workshop.

Cfp: WSG Seminars 2016-2017

UPDATE: 13 April 2016.  We are delighted to announce that a fourth date has been added to our seminar series: we will now also be meeting on 18 March 2017, with a focus on work in progress.

WSG is issuing its annual cfp.  Please note potential topics and the change of seminar dates to the 3rd Saturday in each month.

The Women’s Studies Group: 1558-1837 is a small, informal multi-disciplinary group formed to promote women’s studies in the early modern period and the long eighteenth century. The group organises regular meetings and an annual workshop.

WSG membership is open to men and women, graduate students, faculty, and independent scholars.  Papers can be any length up to 25 minutes, and can be formal or informal, or even work in progress. The papers are followed by very supportive and informal discussion.  Speakers are strongly encouraged to become members of WSG.

Topics can be related to any aspect of women’s studies:

  • Not only women writers, but any activity of a woman or women in the period of our concern, anything that affects or is affected by women in this period, such as the law, religion, etc
  • Male writers writing about women or male historical figures relevant the condition of women in this period
  • Papers tackling aspects of women’s studies within or alongside the wider histories of gender and sexuality are particularly welcome
  • Topics from the early part of our period are also especially welcome
  • Work in progress is invited for the March session.

Venue: Foundling Museum, 40 Brunswick Square, WC1N 1AZ
Dates: Saturday 17th September, 2016, Saturday 19th November, 2016, Saturday 21st January, 2017, Saturday 18th March, 2017.

We will be allowed into the room at 12.30 pm, to give us time sort out paperwork and technology, but sessions will run from 1.00 – 4.00pm. So please arrive a little early if you can.  Please reply to WSG Seminars Organiser Carolyn D. Williams on cdwilliamslyle@aol.com.