Dr Sophie Gilmartin (RHUL), Tuesday 20 October 2015
Professor Angela Wright (Sheffield), Thursday 26 November 2015
Dr Felicity James (Leicester), Thursday 28 January 2016
Dr Matt Rubery (QMUL), Thursday 25 February 2016
The seminars are all open to the public, take place at 5.15pm, and details of rooms can be found here. For more information, please email Susan.
Susan has also been awarded a Visiting Research Fellowship at Chawton House Library this year to pursue her research on the fiction of Mary Robinson (1757-1800). She will take up her Fellowship in April 2016, and will write about her research for the WSG blog.
The first WSG seminar of the new academic year will take place in just over a week’s time. This will be the first in WSG’s new home, the Foundling Museum. Directions for getting to the Museum can be found here. Doors open after 12.30pm with the session starting promptly at 1, and tea, coffee and biscuits at about 2.30pm. Non-WSG members who wish to attend the seminar are welcome to come but will be asked to make a donation for refreshments.
For the September session seminars organiser Carolyn Williams has serendipitously gathered together a number of papers with musical and collecting themes, which chimes well with the Foundling’s own history. The Museum was founded to tell the story of the Foundling Hospital, the first charity for children in Britain. One of its first major supporters was the composer George Frideric Handel, and today the Museum holds an important archive related to his life and works, and holds a regular music programme.
Saturday 26th September 2015, 1-4pm, Foundling Museum
Chair: Angela Escott
Diana Ambache, ‘Women composers of the late 18th century’
This paper presents two Enlightenment composers. Sophia Dussek (1775-1830) was part of the lively musical scene in London. Marianne Martinez (1744-1812) wrote the 1st classical Symphony by a woman.
Paula Higgins, ‘Suppressing the Suppression of Fanny Hensel: Textual Ellipsis and Other Signs of Biographical Censorship’
A tell-tale sign of the longstanding gender politics in which Fanny Hensel (1805-1847) and her quest for musical authorship have become enmeshed are repeated attempts on the part of biographers to shield her brother, Felix Mendelssohn from accusations of thwarting his sister’s ambitions.
Elizabeth Weinfield, ‘Isabella d’Este: Patronage, Performance, and the Viola da Gamba’ This paper will explore Isabella d’Este (1474-1539) and her role as a major patron of music in Renaissance Italy.
Arlene Leis, ‘Sarah Sophia Banks as a Collector’
This talk will focus on the rich paper collections amassed by Sarah Sophia Banks (1744-1818), now housed in the British Museum and British Library.
WSG member Valerie Schutte has just had her book Mary I and the Art of Book Dedications: Royal Women, Power and Persuasion published with Palgrave Macmillan (£60 hardback). It is the outcome of her doctoral research, and argues that dedications and the negotiations accompanying them reveal both contemporary perceptions of how statecraft, religion, and gender were, and the political maneuvering attempting to influence how they ought to be. It is part of Palgrave’s Queenship and Power series, for which Valerie is also currently co-editing, with Sarah Duncan, The Birth of a Queen: Essays on the Quincentenary of Mary I (2016).
Valerie earned her PhD from the University of Akron. She has a further research project underway, an edited collection on “Unexpected Heirs in Early Modern Europe”, for which she is currently seeking chapter proposals:
This collection seeks scholarship on queens and kings who were not expected to become rulers in their own right. In the early modern era many unexpected heirs came to power, but how, why, and the repercussions have never been the subject of one singular volume. The collection will be submitted to the Queenship and Power series (Palgrave Macmillan) edited by Charles Beem and Carole Levin, with planned publication for late 2017/early 2018.
This volume seeks proposals for submissions that consider unexpected heirs and how they achieved their queenship and kingship. Particularly sought are papers that explore issues facing these monarchs before and after their accessions, how they were educated and prepared for ruling, or their lack of preparation, familial relationships, and obstacles to obtaining power. Proposals on unexpected male and female heirs are welcome, as are papers that examine heirs who did not go on to be queens or kings. The intention for the volume is to engage in the actual lives and cultural afterlives of illegitimate children, daughters, and younger sons and the reception of such heirs.
Chapter proposals of 500 words, accompanied by a brief biography, must be submitted to firstname.lastname@example.org by 1 January 2016 to be considered. Accepted authors will be notified by March 2016, and complete essays will be due by 15 October 2016.
This year, WSG’s annual trip was to the Wellcome Collection, nr Euston, London. WSG member Marion Durnin recalls the outing:
“Passing under Anthony Gormley’s figure suspended from the ceiling of the Wellcome Collection entrance, our group met for coffee excited by the stylish surroundings.
We were warmly welcomed by Dr Christopher Hilton, Senior Archivist of the Wellcome Library who provided a potted history of the Wellcome Trust from Henry Wellcome’s upbringing in Wisconsin, to his meeting with Silas Burroughs which led to the formation of Burroughs Wellcome & Co. in 1882. First to the market in the manufacture of drugs, they led the way in medical research to become front runners of the British pharmaceutical industry. Dr Hilton’s witty and informative account revealed we owe the word ‘tabloid’ to Wellcome and Burroughs, being a combination of the words ‘tablet’ and ‘alkaloid’ used to denote the firm’s pills.
Success in business was not accompanied by happiness in Wellcome’s private life. He married Thomas Bernardo’s daughter, Gwen Maud Syrie soon after their meeting in Khartoum in 1901. But Wellcome’s passion for travelling and collecting curios, creating in effect a ‘national attic’ cost him his marriage. Following his divorce, Henry buried himself relentlessly in his work. This resulted in the amassing of a vast collection of artefacts rivalling the largest museums in Europe. The riches of this collection have been brought to the public by the Wellcome Trust. Though primarily focused on the scientific and medical, the contents touch on all aspects of life, a boon for research in many fields.
In demonstration of this, Dr Hilton presented items from the Wellcome manuscript archive of special interest to our group. Alongside handwritten medicinal remedies (1647-1722) written by Elizabeth Sleigh and Felicia Whitfield, are their food recipes, giving precise detail of the lives of these women. The instruction on how ‘To Pull a Tooth’ alarmingly commences with ‘Seeth the brains of an hare in red wine; and anoint the tooth therewith…’ The recipe for Sack Posset required, for openers, ‘2 quarts of pure good cream’ and a guide on how ‘To Roast a Large Pike’ is but one gem among many.
We viewed the account book (1790-1804) of a medical practitioner in Northamptonshire (thought to be Timothy Watkins) containing details of the mothers, the births and inoculations along with precise accounts of income and expenditure.
The library reading rooms are open to all and the scope of works ranges far beyond science and medicine. Innovative design is all around; even the library shelves are illustrated and works of art, classic and contemporary, abound. Library Assistant Edward Bishop showed us a dramatic seventeenth century painting of ‘A Troupe of Travelling Performers including a Toothdrawer’ (after Theodor Rombouts) and a ball gown by artist Susie Freeman which on closer inspection is decorated with 6,500 wrapped contraceptive pills.
Following lunch Visitor Experience Assistant Sarah Bentley gave us a guided tour of particular items in the Permanent Exhibition which included a Mesopotamian amulet, a scold’s bridle of Brussels, with metal horns, used to publicly humiliate women (1550-1775). This proved a profoundly unsettling sight as did a brass corset with wasp waist and Chinese slippers which demanded foot binding.
We finished the day with everyone planning to return as it seemed we had only barely touched on the intriguing and rich resources housed in the Wellcome Collection and Library. We are grateful to the staff at the Wellcome and to WSG committee member Lois Chaber for arranging such a worthwhile and fascinating outing.”
…and thanks to Marion for writing this account and taking the accompanying photos.
The Women’s Studies Group 1558-1837 is pleased to announce its seminar schedule for the forthcoming academic year. Seminars will take place at the Foundling Museum, London, WC1N 1AZ, and start promptly at 1pm, finishing at about 4. Tea and biscuits are provided. Why not arrive early and see the Foundling’s current exhibition, or hear a gallery talk?
This year seminars organiser Dr Carolyn Williams has drawn together papers with musical themes, as well as on collecting, natural philosophy, literature, politics, and book history from across WSG’s 16th- to early 19th-century range. Dates and speakers are as follows:
Saturday 26th September, 2015, 1-4pm, Foundling Museum Diana Ambache, ‘Women composers of the late 18th century’ Professor Paula Higgins, ‘Suppressing the Suppression of Fanny Hensel: Textual Ellipsis and Other Signs of Biographical Censorship’ Dr Arlene Leis, ‘Sarah Sophia Banks as a Collector’
NB Diana Ambache will have CDs of the composers profiled on sale, from £6 to £14.
Saturday 28th November, 2015, 1-4pm, Foundling Museum Associate Professor Tita Chico, ‘Knowledge Seduction’ Dr Andrew McInnes, ‘Resistant Readers in Sarah Fielding’s The Governess’ Chrisy Dennis, ‘“We were born to grace society: but not to be its slaves”: Chivalry and Revolution in Mary Robinson’s Hubert de Sevrac, A Romance of the Eighteenth Century (1796)’
Saturday January 30, 2016, 1-4pm, Foundling Museum
Valerie Schutte, ‘Pre-accession Printed Book Dedications to Mary and Elizabeth Tudor’ (see a publication of Valerie’s here) Brianna Elyse Robertson-Kirkland, ‘Venanzio Rauzzini (1746 – 1810) and his female operatic students’
Sarah Oliver, ‘From Rape to Desire: Mary Hays’s Revision of the Love Theme and Jane Austen’s “New” Heroines’ (see a publication of Sarah’s here)