Women’s Studies Group Annual Workshop, 18 May 2025: Meeting and Greeting in (im)Polite Society

Keynote by Professor Penelope Corfield:

‘Out of the Shadows: Eighteenth-Century Women Greeting their Fellow Britons . . . and Shaking Hands’.

This year we were delighted to welcome Professor Corfield as our 2025 Workshop keynote speaker. Her recent work on the complex nature of shaking hands throughout history informed her talk which was amply illustrated with slides. As she noted, styles of greeting are evidence of the changing social status and roles of women, but they are difficult to research. They usually go unremarked as part of daily life and changes only take place over decades. There are few images of women shaking hands. Urban and commercial growth, the rise in literacy and the expansion of radical Protestantism were all involved in the development of different styles of salutation. There are passing references to greetings in different forms of literature, plays, diaries, letters, etc., and examples from many women writers of the eighteenth century were cited. Forms of greeting between working women prove harder to identify than the deep formal curtsey which remained current in elite and court circles. Eventually the egalitarian handshake of the Quakers spread throughout society to become the most acceptable and common mode of greeting.

Five-minute presentations by workshop attendees revealed, as usual, a fascinating variety of interpretations on the theme. We had two panels, Women in Society and Music and Manners, with many connections between them. We discussed the different forms of public and private residential access provided by bells and doorknockers, the forms of surveillance, control and punishment imposed on women who transgressed in public, and the visible signs of conformity provided by uniform dress, particularly for charity school children. The means of distinguishing social status through access to public spaces in London, the Spa towns and the sites of Parisian promenades, and the alarm caused when this delineation broke down was discussed as a feature of eighteenth-century urban living. The anxiety of arranging introductions, announcing arrivals and of adhering to correct precedence and customary greetings was covered by several presentations; the different meanings of the term ‘Gallantry’ in Austen and Burney novels was examined, and an array of calling cards from the Sophia Banks collection demonstrated their role in sociability and self-fashioning but also how they maintained exclusivity.

Among our papers on music, we learnt about dedications in books of music, both their polite and political significance, and about the precarious status of musicians who were often segregated in the homes where they performed, even if celebrated for their talent. Occasionally, however, music became a leveller and musicians became part of the household. Finally, we enjoyed a demonstration of ‘Making the Honours’ before dancing, the formal bows and curtsies, eye contact and body postures which became essential features of eighteenth-century dance.

We had a stimulating and convivial day with so much to think about as a result of our discussions. Thank you to all participants for putting so much thought into your contributions, and to Professor Corfield for providing the focus of our event!

Annual workshop

Details for our annual workshop have now been announced. They are as follows.

Women’s Studies Group Annual WorkshopSunday 18th May 2025, at the Foundling Museum, London, WC1N 1AZ Registration 11 a.m; event ends at 4.30 p.m.

Meeting and Greeting in (im)Polite Society Keynote by Professor Penelope Corfield: ‘Female Salutations in Britain in the Long Eighteenth Century: Deep Curtseying, Bobbing, Kissing … and Shaking Hands’.

Keynote Abstract: Greetings are dynamic. They can be given politely or rudely. They also change significantly over time. So women, when giving or receiving salutations, have to stay alert and make choices – as Penelope Corfield explains in her keynote lecture, focusing upon Britain in the long eighteenth century.

Further details, including the call for 5-minute presentations and registration details can be found here.

2022 Workshop Review


Annual Workshop 24th September 2022
On the Margins: Interrogating the Notion of Marginal Status in the long Eighteenth Century. Foundling Museum, London

Our annual workshop unusually took place in September this year. We were delighted that our morning keynote was given by Dr. Karen Lipsedge and Dr. Emma Newport, both long- standing members, contributors, and supporters of the WSG. Emma Newport began the session by suggesting that there are many questions raised by the word ‘Margins’ which becomes particularly slippery when we consider the prepositions which are often attached, such as outside and beyond, within, between, above or beneath. She guided our discussion about agency and how active or passive words affect our understanding of the term. Power relations and choice are important, and crucially questions of gender, class and issues of who exactly is ‘on the margins’. The term is always political and ideological.


Karen Lipsedge then used the case study of Samuel Richardson’s Pamela, giving a close reading of the Joseph Highmore painting of Pamela and Lady Davers 1743-4 , (National Gallery of Victoria) to examine women’s autonomy in the domestic space. The painting shows the consequences of altering a woman’s assigned role in a patriarchal tradition. A lower-class woman was not expected to be genteel or virtuous but to gratify her master’s sexual demands. Pamela’s movement between the informal and formal rooms of the house as lady’s maid, servant and then wife mark the changes in her status. The painting depicts the moment when Lady Davers and her nephew attempt to attack and crush Pamela, asserting she has merely undergone a sham marriage with Mr. B, in a parody of the harmony and sociability usually represented in an eighteenth-century conversation piece. The focus on the table as a sign of social and hierarchical power and the positioning of other characters in the composition highlight the details that were important to Richardson in his alternative domestic scene and could be read as a queering of marginal space and questioning of what it meant to be at the centre.


Coincidentally, a recent Chawton House exhibition From the Margins illustrated efforts to support endangered species of the South Downs through restoration of hedgerows and wildflowers. This exhibition highlighted alternative approaches to the idea of marginal spaces, their fragility and the energy and struggle required to survive in an overlooked and threatened environment. We examined a quotation from Pamela, in which Pamela is described as a cuckoo who needs to be ‘hedged in’, with all the associations conjured by the term ‘cuckold’. Is Pamela a temporary joy of summer or a cuckoo in Mr. B’s nest?


The keynote presentations were rich and thought-provoking and were followed by a lively and enthusiastic discussion.


After a sociable lunch we reconvened for short presentations by workshop attendees, to explore a fascinating range of ideas related to On The Margins. Taking a cue from Pamela, we looked at the ‘monstrous’ masculine Mrs. Jewkes and the eighteenth-century female body as essentially rendered disabled and defined by what it could not do; we heard about medical recipes by women who were on the margins of professional and scientific knowledge whose work was usually printed cheaply, achieving only ephemeral status; and about the marginal status of women in the court room, 1810-12 Scottish case studies of women defendants who insisted on being heard in defiance of efforts to marginalise them because of their ethnicity, illegitimacy or accusations of lesbianism; Criminal cases against women who cross-dressed and made careers of piracy revealed that there was no explicit law against the practice; women as landladies were marginalised figures, surviving under difficult conditions, as were the dancing girls who had no choice but to perform for the French invaders during Napoleon’s Egyptian campaign.


We heard about a woman who survives a shipwreck to live alone on an island and gain agency when separated from her family, in Penelope Aubin’s The Noble Slaves (1722); and about Caroline-Stéphanie-Félicité, Madame de Genlis’ novella La Femme Philosophe (1804), which imitates the novel Edmund Oliver by Charles Lloyd (1798) where sexual transgression leads to the female character Gertrude’s downfall, but Genlis makes her the protagonist, exploring a liminal space of fluid and unstable subjectivity.


Women travellers such as Hester Piozzi, Ann Flaxman and Mary Shelley stood on the rim of Vesuvius, a real marginal space of danger, and recorded their impressions. We also enjoyed a performance-based presentation in which a portrait of Mary Moser was questioned about her life and career, now that recent attention has brought her out of the shadows.


Marginality in all its subtle shades emerged from our day, in a variety of disciplines and fields of research. Presentations gave us snapshots of exciting ongoing work and, as Karen Lipsedge concluded, ‘a rich ecology of things to explore’.


Many thanks to our keynote speakers and all our participants, and we look forward to further conversations in our next workshop!

Review by Miriam Al Jamil

***POSTPONED***: WSG Annual Workshop For Love or Money?: Women, Amateurs and Professionals with Professor Judith Hawley

We are sorry to announce that due to the current COVID-19 pandemic, the Women’s Studies Group have had to postpone the workshop due to take place on the 2nd May at the Foundling Museum. Attendees who had registered online have been issued a refund. We hope to be able to reschedule the day in due course. Please bear with us during this time and when the day is rescheduled, we will announce on the website, social media and through our members’ list.

 

***POSTPONED*** Registration Now Open: For Love or Money?: Women, Amateurs and Professionals with Professor Judith Hawley

For Love or Money?: Women, Amateurs and Professionals

Keynote: Professor Judith Hawley (Royal Holloway, University of London)

Date: POSTPONED

We are pleased to announce the WSG annual workshop is now open for registration. Fully details are available via the workshop page: https://womensstudiesgroup.org/annual-workshop/